The Pacha of Many Tales eBook

This eBook from the Gutenberg Project consists of approximately 505 pages of information about The Pacha of Many Tales.

The Pacha of Many Tales eBook

This eBook from the Gutenberg Project consists of approximately 505 pages of information about The Pacha of Many Tales.

Within a bower of orange trees, in the deep recesses of the royal gardens, to which she had hastened, sat the panting princess.  She selected some flowers from those which were scattered round her, and despatched them to her favourite musician and attendant, Acota.  Who was there in the whole kingdom of Souffra who could so sweetly touch the mandolin as Acota?  Yet, who was there, not only in Souffra, but in all the adjacent countries, who struck such occasional discordant notes as Acota, and that in the ear of the beautiful princess Babe-bi-bobu, who, far from being displeased, appeared to approve of his occasional violence, which not only threatened to crack the strings of the instrument, but the tympanums of those who were near, who longed to escape, and leave the princess to enjoy the dissonance alone, little thinking that the discord was raised that their souls’ harmony might be undisturbed by the presence of others, and that the jarring of the strings was more than repaid to the princess, by the subsequent music of Acota’s voice.

Acota seated himself, at a signal from the princess, and commenced his playing, if such it could be called, thrumming violently, and jarring every chord of his instrument to a tone of such dissonance, that the attendant girls put their fingers into their ears, and pitied the beautiful Babe-bi-bobu’s bad taste in music.

“Ah!  Acota,” said the princess, opening upon him all the tenderness of her large and beaming eyes, “how weary am I of sitting on my cushion, and seeing fop after fop, fool after fool, dawdle down upon their faces before me; and, moreover, I am suffocated with perfumes.  Strike your mandolin again louder, beloved of my soul—­still louder, that I may be further relieved of this unwished-for crowd.”

Thereupon, Acota seized his mandolin, and made such an unaccountable confusion of false notes, such a horrid jarring, that all the birds within one hundred yards shrieked as they fled, and the watchful old chamberlain, who was always too near the princess, in her opinion, and never near enough, in his own, cried out, “Yah—­yah—­baba senna, curses on his mother, and his mandolin into the bargain!” as his teeth chattered; and he hastened away, as fast as his obesity would permit him.  The faithful damsels who surrounded the princess could neither stand it nor sit it any longer—­they were in agonies, all their teeth were set on edge; and at last, when Acota, with one dreadful crash, broke every string of his instrument, they broke loose from the reins of duty, and fled in every direction of the garden, leaving the princess and Acota alone.

“Beloved of my soul,” said the princess, “I have at last invented a plan by which our happiness will be secured!” and in a low tone of voice, but without looking at each other, that they might not attract the observation of the chamberlain, they sweetly communed.  Acota listened a few minutes to the soft voice of the princess, and then took up his broken-stringed mandolin, and with a profound reverence for the benefit of the old chamberlain, he departed.

Copyrights
Project Gutenberg
The Pacha of Many Tales from Project Gutenberg. Public domain.