CHAPTER III

THE STORY OF THE SEVEN DEAD MEN

And the stories!  There were many of them.  The young faces bent closer as we told the story of Saint Martin dividing his cloak among the beggars.  Then came our own Cornish giant-killer, adapted for an Italian audience, dressed to taste in a great brigand hat and a beltful of daggers and pistols.  Blunderbore in the Italian manner was a distinguished success.  It was Henry who told the tales, but yet I think it was I who had the more abundant praise.  For they heard me prompt my Mercurius, and they saw him appeal to me in a difficulty.  Obviously, therefore, Henry was the servant of the chief magician, who like a great lord only communicated his pleasure through his steward.

Then with a tale of Venice[1] that was new to them we scared them out of a year’s growth—­frightening ourselves also, for then we were but young.  It was well that the time was not far from high noon.  The story told in brief ran thus.  It was the story of the “Seven Dead Men.”

[Footnote 1:  For the origin of this and much else as profitable and pleasant, see Mr. Horatio Brown’s Life on the Lagoons, the most charming and characteristic of Venetian books.]

There were once six men that went fishing on the lagoons.  They brought a little boy, the son of one of them, to remain and cook the polenta.  In the night-time he was alone in the cabin, but in the morning the fishermen came in.  And if they found that aught was not to their taste, they beat him.  But if all was well, they only bade him to wash up the dishes, yet gave him nothing to eat, knowing that he would steal for himself, as the custom of boys is.

But one morning they brought with them from their fishing the body of a dead man—­a man of the mainland whom they had found tumbling about in the current of the Brenta.  For he had looked out suddenly upon them where the sea and the river strive together, and the water boils up in great smooth, oily dimples that are not wholesome for men to meddle with.

Now, whether these six men had not gone to confession or had not confessed truly, so that the priest’s absolution did them no good, the tale ventures not to say.  But this at least is sure, that for their sins they set this dead thing that had been a man in the prow of the boat, all in his wet clothes.  And for a jest on the little boy they put his hand on his brow, as though the dead were in deep cogitation.

As this story was in the telling, the attention of the children grew keen and even painful.  For the moment each was that lonely lad on the islet, where stood the cabin of the Seven Dead Men.

So as the boat came near in the morning light, the boy stood to greet them on the little wooden pier where the men landed their fish to clean, and he called out to the men in the boat—­

“Come quickly,” he cried; “breakfast is ready—­all but the fish to fry.”