MICHAEL ANGELO. 
                Truly, as you say,
Sculpture is more than painting.  It is greater
To raise the dead to life than to create
Phantoms that seem to live.  The most majestic
Of the three sister arts is that which builds;
The eldest of them all, to whom the others
Are but the hand-maids and the servitors,
Being but imitation, not creation. 
Henceforth I dedicate myself to her.

BENVENUTO. 
And no more from the marble hew those forms
That fill us all with wonder?

MICHAEL ANGELO. 
                           Many statues
Will there be room for in my work.  Their station
Already is assigned them in my mind. 
But things move slowly.  There are hindrances,
Want of material, want of means, delays
And interruptions, endless interference
Of Cardinal Commissioners, and disputes
And jealousies of artists, that annoy me. 
But twill persevere until the work
Is wholly finished, or till I sink down
Surprised by death, that unexpected guest,
Who waits for no man’s leisure, but steps in,
Unasked and unannounced, to put a stop
To all our occupations and designs. 
And then perhaps I may go back to Florence;
This is my answer to Duke Cosimo.

VI

MICHAEL ANGELO’S STUDIO

MICHAEL ANGELO and URBINO.

MICHAEL ANGELO, pausing in his work. 
Urbino, thou and I are both old men. 
My strength begins to fail me.

URBINO. 
                          Eccellenza. 
That is impossible.  Do I not see you
Attack the marble blocks with the same fury
As twenty years ago?

MICHAEL ANGELO. 
                  ’T is an old habit. 
I must have learned it early from my nurse
At Setignano, the stone-mason’s wife;
For the first sounds I heard were of the chisel
chipping away the stone.

URBINO. 
                     At every stroke
You strike fire with your chisel.

MICHAEL ANGELO. 
                           Ay, because
The marble is too hard.

URBINO. 
                        It is a block
That Topolino sent you from Carrara. 
He is a judge of marble.

MICHAEL ANGELO. 
                         I remember. 
With it he sent me something of his making,—­
A Mercury, with long body and short legs,
As if by any possibility
A messenger of the gods could have short legs. 
It was no more like Mercury than you are,
But rather like those little plaster figures
That peddlers hawk about the villages
As images of saints.  But luckily
For Topolino, there are many people
Who see no difference between what is best
And what is only good, or not even good;
So that poor artists stand in their esteem
On the same level with the best, or higher.

URBINO. 
How Eccellenza laughed!