[Footnote 81: William Harrison (1685-1713) was a favourite with Swift and Addison. He wrote verses, and a continuation of the Tatler, and afterwards obtained office in the diplomatic service; but his health soon broke down, and he died when 28.]
[Footnote 82: There is a similar story in Burton’s “Anatomy of Melancholy.”]
[Footnote 83: The Rose Tavern, in Russell Street, adjoined Drury Lane Theatre, and was a favourite resort during and after the play.]
[Footnote 84: The Battle of Blenheim.]
No. 3. [STEELE.
From Thursday, April 14, to Saturday, April 16, 1709.
* * * * *
Will’s Coffee-house, April 14.
This evening, the comedy called “The Country Wife"[85] was acted in Drury Lane, for the benefit of Mrs. Bignell.[86] The part which gives name to the play was performed by herself. Through the whole action, she made a very pretty figure, and exactly entered into the nature of the part. Her husband in the drama, is represented to be one of those debauchees who run through the vices of the town, and believe when they think fit they can marry, and settle at their ease. His own knowledge of the iniquity of the age, makes him choose a wife wholly ignorant of it, and place his security in her want of skill how to abuse him. The poet, on many occasions, where the propriety of the character will admit of it, insinuates, that there is no defence against vice, but the contempt of it: and has, in the natural ideas of an untainted innocent, shown the gradual steps to ruin and destruction, which persons of condition run into, without the help of a good education how to form their conduct. The torment of a jealous coxcomb, which arises from his own false maxims, and the aggravation of his pain, by the very words in which he sees her innocence, makes a very pleasant and instructive satire. The character of Horner, and the design of it, is a good representation of the age in which that comedy was written; at which time love and wenching were the business of life, and the gallant manner of pursuing women was the best recommendation at Court. To which only it is to be imputed, that a gentleman of Mr. Wycherley’s character and sense, condescends to represent the insults done to the honour of the bed, without just reproof; but to have drawn a man of probity with regard to such considerations, had been a monster, and a poet had at that time discovered his want of knowing the manners of the Court he lived in, by a virtuous character in his fine gentleman, as he would show his ignorance, by drawing a vicious one to please the present audience. Mrs. Bignell did her part very happily, and had a certain grace in her rusticity, which gave us hopes of seeing her a very skilful player, and in some parts, supply our loss of Mrs. Verbruggen.[87] I cannot be of the same opinion with my friends and fellow-labourers, the Reformers