Library of the World's Best Literature, Ancient and Modern — Volume 6 eBook

This eBook from the Gutenberg Project consists of approximately 634 pages of information about Library of the World's Best Literature, Ancient and Modern — Volume 6.

Library of the World's Best Literature, Ancient and Modern — Volume 6 eBook

This eBook from the Gutenberg Project consists of approximately 634 pages of information about Library of the World's Best Literature, Ancient and Modern — Volume 6.
to do this in a circle or longer way, according to the constituted and forelaid principles of his art:  yet this rule of his he doth sometimes pervert to acquaint the world with his prerogative, lest the arrogancy of our reason should question his power and conclude he could not.  And thus I call the effects of nature the works of God, whose hand and instrument she only is; and therefore to ascribe his actions unto her is to devolve the honor of the principal agent upon the instrument; which if with reason we may do, then let our hammers rise up and boast they have built our houses, and our pens receive the honor of our writing.  I hold there is a general beauty in the works of God, and therefore no deformity in any kind of species whatsoever:  I cannot tell by what logic we call a toad, a bear, or an elephant ugly, they being created in those outward shapes and figures which best express those actions of their inward forms.  And having passed that general visitation of God, who saw that all that he had made was good, that is, conformable to his will, which abhors deformity, and is the rule of order and beauty:  there is no deformity but in monstrosity, wherein notwithstanding there is a kind of beauty, nature so ingeniously contriving the irregular parts that they become sometimes more remarkable than the principal fabric.  To speak yet more narrowly, there was never anything ugly or misshapen but the chaos; wherein, notwithstanding, to speak strictly, there was no deformity, because no form, nor was it yet impregnate by the voice of God; now nature is not at variance with art, nor art with nature, they being both servants of his providence:  art is the perfection of nature:  were the world now as it was the sixth day, there were yet a chaos; nature hath made one world, and art another.  In brief, all things are artificial; for nature is the art of God.

I have heard some with deep sighs lament the lost lines of Cicero; others with as many groans deplore the combustion of the library of Alexandria; for my own part, I think there be too many in the world, and could with patience behold the urn and ashes of the Vatican, could I, with a few others, recover the perished leaves of Solomon.  I would not omit a copy of Enoch’s Pillars had they many nearer authors than Josephus, or did not relish somewhat of the fable.  Some men have written more than others have spoken:  Pineda quotes more authors in one work than are necessary in a whole world.  Of those three great inventions in Germany, there are two which are not without their incommodities.  It is not a melancholy utinam of my own, but the desires of better heads, that there were a general synod; not to unite the incompatible difference of religion, but for the benefit of learning, to reduce it, as it lay at first, in a few and solid authors; and to condemn to the fire those swarms and millions of rhapsodies begotten only to distract and abuse the weaker judgments of scholars, and to maintain the trade and mystery of typographers.

Copyrights
Project Gutenberg
Library of the World's Best Literature, Ancient and Modern — Volume 6 from Project Gutenberg. Public domain.