The main facts in both “Vivian Gray” and “Contarini Fleming” are autobiographical. Like Byron, upon whom Disraeli fed, the author never got far away from himself.
It was not long before the intense personality of young Disraeli made itself felt throughout the Walthamstow school. The young man smiled at the pedant’s idolatry of facts, and seized the vital point in every lesson. He felt himself the superior of every one in the establishment, master included—and he was.
Before a year he split the school into two factions—those who favored Ben Disraeli, and those who were opposed to him. The master cast his vote with the latter class, and the result was that Ben withdrew, thus saving the authorities the trouble of expelling him. His leave-taking was made melodramatic with a speech to the boys, wherein impertinent allusions were made concerning all schoolmasters, and the master of Walthamstow in particular.
And thus ended the school life of Benjamin Disraeli, the year at Walthamstow being his first and last experience.
However, Ben was not indifferent to study; he felt sure that there was a great career before him, and he knew that knowledge was necessary to success. With his father’s help he laid out a course of work that kept him at his tasks ten hours a day. His father was a literary man of acknowledged worth, and mingled in the best artistic society of London. Into this society Benjamin was introduced, meeting all his father’s acquaintances on an absolute equality. The young man at eighteen was totally unabashed in any company; he gave his opinion unasked, criticized his elders, flashed his wit upon the guests and was looked upon with fear, amusement or admiration, as the case might be.
Froude says of him, “The stripling was the same person as the statesman at seventy, with this difference only, that the affectation which was natural in the boy was itself affected in the matured politician, whom it served well for a mask, or as a suit of impenetrable armor.”
* * * * *
That literature is the child of parents is true. That is to say, it takes two to produce a book. Of course there are imitation books, sort o’ wax figures that look like books, made through habit by those that have been many years upon the turf, and who work automatically; but every real, live, throbbing, pulsing book was written by a man with a woman at his elbow, or vice versa.