Seizing upon a creation of Swift’s, “Isaac Bickerstaff,” a character already known to the public, was introduced as editor.  Bickerstaff announced his assistants, and among others named as authority in Foreign Affairs a waiter at Saint James Coffeehouse known as “Kidney.”  The spirit of rollicking freedom in the publication, with a touch of philosophy, and a dash of culture, caught the public fancy at once.  The “Tatler” was the theme in every coffeehouse, and in the drawing-rooms, as well.  Those who understood it laughed and passed it along to others who pretended they understood, and so it became the fad.  Then the anonymity lent the charm of mystery—­who could it be who was into all the secrets, and knew the world so thoroughly?

Addison read each issue with surprise and amusement, but it was not until the fifth number that he located the author positively, by reading an observation of his own that he had voiced to Steele some weeks before.  Steele absorbed everything, digested it, and gave the good out as his own, innocent and probably unmindful of where he got it.  This accounts for his wonderful versatility:  he made others grub and used the net result.

Some years ago Francis Wilson made a mock complaint to the effect that whenever he met Eugene Field in the “Saints and Sinners Corner” for a half-hour’s chat, any good thing he might voice was duly printed next day in the “Sharps and Flats” column as Field’s very own, and thus did the genial Eugene acquire his reputation as a genius.  All of which gentle gibing contains more fact than fiction.

When Addison saw his bright thoughts appearing in the “Tatler,” he went to Steele and said, “Here, I’ll write that out myself and save you the trouble.”  Steele welcomed him with open arms.  The first “Tatler” article written by Addison relates to the distress of news-writers at the prospect of peace.  This is exactly in Steele’s style; but we find erelong in the “Tatler” a spiritual quality that was not a part of Steele’s nature.  From current gossip and easy society commonplace, the tone is exalted, and this we know was the result of Addison’s influence.  Out of two hundred seventy-one articles in the “Tatler,” one hundred eighty-eight were produced by Steele and forty-two by Addison.  Yet Steele was wise enough to perceive the superior quality of Addison’s work, and this dictated the key in which the magazine was pitched.  Yet the fertility of Steele surpassed that of Addison.  Steele initiated the crusade against gambling, dueling and vice; and this was all very natural, for he simply inveighed against sins with which experience had made him familiar.  His moral essays were all written in periods of repentance.  His sharp tirades on dueling in one instance approached the point of personality, and on being criticized, he resented the interference and expressed a willingness to fight his man with pistols at ten paces.  It must not be forgotten that Richard Steele was an Irishman.