and is a book which, on that account, cannot be too widely read.  One of the most notable of modern plays is Brieux’s Les Avaries (1902).  This distinguished dramatist, himself a medical man, dedicates his play to Fournier, the greatest of syphilographers.  “I think with you,” he writes here, “that syphilis will lose much of its danger when it is possible to speak openly of an evil which is neither a shame nor a punishment, and when those who suffer from it, knowing what evils they may propagate, will better understand their duties towards others and towards themselves.”  The story developed in the drama is the old and typical story of the young man who has spent his bachelor days in what he considers a discrete and regular manner, having only had two mistresses, neither of them prostitutes, but at the end of this period, at a gay supper at which he bids farewell to his bachelor life, he commits a fatal indiscretion and becomes infected by syphilis; his marriage is approaching and he goes to a distinguished specialist who warns him that treatment takes time, and that marriage is impossible for several years; he finds a quack, however, who undertakes to cure him in six months; at the end of the time he marries; a syphilitic child is born; the wife discovers the state of things and forsakes her home to return to her parents; her indignant father, a deputy in Parliament, arrives in Paris; the last word is with the great specialist who brings finally some degree of peace and hope into the family.  The chief morals Brieux points out are that it is the duty of the bride’s parents before marriage to ascertain the bridegroom’s health; that the bridegroom should have a doctor’s certificate; that at every marriage the part of the doctors is at least as important as that of the lawyers.  Even if it were a less accomplished work of art than it is, Les Avaries is a play which, from the social and educative point of view alone, all who have reached the age of adolescence should be compelled to see.

Another aspect of the same problem has been presented in Plus Fort que le Mal, a book written in dramatic form (though not as a properly constituted play intended for the stage) by a distinguished French medical author who here adopts the name of Espy de Metz.  The author (who is not, however, pleading pro domo) calls for a more sympathetic attitude towards those who suffer from syphilis, and though he writes with much less dramatic skill than Brieux, and scarcely presents his moral in so unequivocal a form, his work is a notable contribution to the dramatic literature of syphilis.

It will probably be some time before these questions, poignant as they are from the dramatic point of view, and vitally important from the social point of view, are introduced on the English or the American stage.  It is a remarkable fact that, notwithstanding the Puritanic elements which still exist in Anglo-Saxon thought and feeling