Both male and female, however, need to guard themselves during the exercise of their sexual activities from jealous rivals, as well as from enemies who might take advantage of their position to attack them. It is highly probable that this is one important sexual factor in the constitution of modesty, and it helps to explain how the male, not less than the female, cultivates modesty, and shuns publicity, in the exercise of sexual functions. Northcote has especially emphasized this element in modesty, as originating in the fear of rivals. “That from this seeking after secrecy from motives of fear should arise an instinctive feeling that the sexual act must always be hidden, is a natural enough sequence. And since it is not a long step between thinking of an act as needing concealment and thinking of it as wrong, it is easily conceivable that sexual intercourse comes to be regarded as a stolen and therefore, in some degree, a sinful pleasure."[12]
Animals in a state of nature usually appear to seek seclusion for sexual intercourse, although this instinct is lost under domestication. Even the lowest savages, also, if uncorrupted by civilized influences, seek the solitude of the forest or the protection of their huts for the same purpose; the rare cases in which coitus is public seem usually to involve a ceremonial or social observance, rather than mere personal gratification. At Loango, for instance, it would be highly improper to have intercourse in an exposed spot; it must only be performed inside the hut, with closed doors, at night, when no one is present.[13]
It is on the sexual factor of modesty, existing in a well-marked form even among animals, that coquetry is founded. I am glad to find myself on this point in agreement with Professor Groos, who, in his elaborate study of the play-instinct, has reached the same conclusion. So far from being the mere heartless play by which a woman shows her power over a man, Groos points out that coquetry