Table of Contents | |
Section | Page |
Start of eBook | 1 |
THE THEORY OF THE THEATRE | 1 |
I | 1 |
II | 13 |
I | 13 |
II | 15 |
III | 22 |
IV | 25 |
III | 26 |
IV | 32 |
I | 32 |
II | 33 |
III | 37 |
IV | 41 |
V | 42 |
I | 42 |
II | 43 |
III | 45 |
IV | 47 |
VI | 50 |
VII | 57 |
I. TRAGEDY AND MELODRAMA | 57 |
II. COMEDY AND FARCE | 59 |
VIII | 60 |
I | 60 |
II | 62 |
III | 63 |
OTHER PRINCIPLES OF DRAMATIC CRITICISM | 67 |
I | 67 |
II | 71 |
III | 74 |
IV | 77 |
V | 78 |
VI | 80 |
VII | 84 |
VIII | 87 |
IX | 90 |
X | 92 |
XI | 94 |
XII | 96 |
XIII | 99 |
XIV | 101 |
INDEX | 104 |
BEULAH MARIE DIX’S | 111 |
BY BARRETT H. CLARK | 112 |
BRITISH & AMERICAN DRAMA OF TO-DAY | 112 |
THREE MODERN PLAYS FROM THE FRENCH | 112 |
By GEORGE MIDDLETON | 113 |
POSSESSION | 113 |
EMBERS | 113 |
TRADITION | 113 |
NOWADAYS | 113 |
NOTEWORTHY RECENT DRAMA BOOKS | 113 |
Richard Burton’s BERNARD SHAW: THE MAN AND THE MASK | 114 |
Louise Burleigh and Edward Hale Bierstadt’s PUNISHMENT | 114 |
Percival Wilde’s CONFESSIONAL and Other American Plays | 114 |
114 | |
HALE’S DRAMATISTS OF TO-DAY | 114 |
NEW POPULAR EDITION, WITH APPENDIX | 115 |
CHAPTERS OF OPERA | 115 |