19.  I would not be understood to impose gravity or too great a reserve on the fair sex.  Let them laugh at a feather; but let them declare openly, that it is a feather which occasions their mirth.  I must confess, that laughter becomes the young, the gay, and the handsome:  but a whisper is unbecoming at all ages, and in both sexes:  nor ought it ever to be practised, except in the round gallery of St. Paul’s, or in the famous whispering place in Gloucester cathedral, where two whisperers hear each other at the distance of five-and-twenty yards.

I am, Sir,

Your humble Servant._

Beauty.

1.  Though the danger of disappointment is always in proportion to the height of expectation, yet I this day claim the attention of the ladies, and profess to teach an art by which all may obtain what has hitherto been deemed the prerogative of a few:  an art by which their predominant passion may be gratified, and their conquest not only extended, but secured; “The art of being PRETTY.”

2.  But though my subject may interest the ladies, it may, perhaps, offend those profound moralists who have long since determined, that beauty ought rather to be despised than desired; that, like strength, it is a mere natural excellence, the effect that causes wholly out of our power, and not intended either as the pledge of happiness or the distinction of merit.

3.  To these gentlemen I shall remark, that beauty is among those qualities which no effort of human wit could ever bring into contempt:  it is therefore to be wished at least, that beauty was in some degree dependent upon sentiment and manners, that so high a privilege might not be possessed by the unworthy, and that human reason might no longer suffer the mortification of those who are compelled to adore an idol, which differs from a stone or log only by the skill of the artificer:  and if they cannot themselves behold beauty with indifference, they must, surely, approve an attempt to shew that it merits their regard.

4.  I shall, however, principally consider that species of beauty which is expressed in the countenance; for this alone is peculiar to human beings, and is not less complicated than their nature.  In the countenance there are but two requisites to perfect beauty, which are wholly produced by external causes, colour and proportion:  and it will appear, that even in common estimation these are not the chief; but that though there may be beauty without them, yet there cannot be beauty without something more.

5.  The finest features, ranged in the most exact symmetry, and heightened by the most blooming complexion, must be animated before they can strike; and when they are animated, will generally excite the same passions which they express.  If they are fixed in the dead calm of insensibility, they will be examined without emotion; and if they do not express kindness, they will be beheld without love.