Many architectural fragments have been found during the excavations of the Great Bath, several portions of columns 2ft. 6in. diameter at base, and several sections of Corinthian foliage with the volute of a capital, of unusually artistic and powerful work; some smaller columns, a fluted shaft, and a Composite capital of debased character; but the four most remarkable fragments are pieces carved on both sides out of blocks about 1ft. 9in. thick, by 1ft. 6in. high. They are each from 2ft. 6in. to 2ft. 9in. long, and are curved, the chord being about 1-9/16in., in a length of 2ft. 6in. The first fragment is a cornice, or impost, carved on both sides, in three tiers: the upper, a cima with a leaf; the middle division, a Greek fret, not quite similar on each side the stone, and below is a running ornament. The cornice does not project sufficiently to be the cornice of a building, and, as it is decorated on either side, it could not have been intended for a string-course, as none of the walls are so thin as these stones, although I at first thought it might belong to one of the semi-circular exedrae. The curve is struck with a shorter radius than even the smallest recess. I think it is the capping of the back of one of the semi-circular stone seats, called by the later Romans a stibadium. If this formed the seat in the north-western recess, there would be ample room behind it (3ft. 9in.) to pass by. The next fragment must have been fixed beneath this or a similar capping, and is also carved on each side; the convex side having an adaptation of the well-known honeysuckle fairly drawn, whilst the convex side of it, with the exception of a floriated panelled pilaster in the centre, is the work of an accomplished sculptor. On the right of this pilaster, slightly recessed to admit of relief, is the naked right thigh and leg of a figure that must have stood 1ft. 6in. high. Although only a fragment, this is a most charming piece of work, the action and anatomy of the limb being perfect. On the left side is a similar panel, a headless draped figure, with feet bare, holding a circular shield which rests on the thigh, whilst the limb is bent as if ascending a rock that is slightly indicated. On the third fragment the honeysuckle pattern is on the concave side, whilst the sculpture is on the convex, the arc of which corresponds with the last described. On this there are two niches only, and the figures are much more mutilated. The left figure has a flowing mantle, the only leg