So sparklingly pure is this passion that it could exorcise the evil and turn old to new, even in the case of Leonce Miranda. At least Browning, in this poem, strives to show that, being true love, though the love of an unclean man for an unclean woman, it was a power at war with the sordid elements of that sordid life. Love has always the same potency, flame is always flame,
“no matter
whence flame sprung,
From gums and spice, or else from straw
and rottenness."[A]
[Footnote A: Fifine at the Fair, lv.]
“Let her
but love you,
All else you disregard! what else can
be?
You know how love is incompatible
With falsehood—purifies, assimilates
All other passions to itself."[B]
[Footnote B: Colombe’s Birthday.]
“Ne’er wrong yourself so far
as quote the world
And say, love can go unrequited here!
You will have blessed him to his whole
life’s end—
Low passions hindered, baser cares kept
back,
All goodness cherished where you dwelt—and
dwell."[C]
[Footnote C: Ibid.]
But, while love is always a power lifting a man upwards to the level of its own origin from whatever depths of degradation, its greatest potency can reveal itself only in characters intrinsically pure, such as Pompilia and Caponsacchi. Like mercy and every other spiritual gift, it is mightiest in the mighty. In the good and great of the earth love is veritably seen to be God’s own energy;
“Who never is dishonoured
in the spark
He gave us from His fire of fires, and
bade
Remember whence it sprang, nor be afraid
While that burns
on, though all the rest grow dark."[A]
[Footnote A: Any Wife to Any Husband, III.]
It were almost an endless task to recount the ways in which Browning exhibits the moralizing power of love: how it is for him the quintessence of all goodness; the motive, and inspiring cause, of every act in the world that is completely right; and how, on that account, it is the actual working in the man of the ideal of all perfection. This doctrine of love is, in my opinion, the richest vein of pure ore in Browning’s poetry.