The apartments were furnished in the most sumptuous and voluptuous manner; the silken couches swelled to the touch, and sunk in downy softness beneath the slightest pressure.  The paintings and statues, all told some classic tale of love, managed, however, with an insidious delicacy; which, while it banished the grossness that might disgust, was the more calculated to excite the imagination.  There the blooming Adonis was seen, not breaking away to pursue the boisterous chase, but crowned with flowers, and languishing in the embraces of celestial beauty.  There Acis wooed his Galatea in the shade, with the Sicilian sea spreading in halcyon serenity before them.  There were depicted groups of fauns and dryads, fondly reclining in summer bowers, and listening to the liquid piping of the reed; or the wanton satyrs, surprising some wood-nymph during her noontide slumber.  There, too, on the storied tapestry, might be seen the chaste Diana, stealing, in the mystery of moonlight, to kiss the sleeping Endymion; while Cupid and Psyche, entwined in immortal marble, breathed on each other’s lips the early kiss of love.

The ardent rays of the sun were excluded from these balmy halls; soft and tender music from unseen musicians floated around, seeming to mingle with the perfumes that were exhaled from a thousand flowers.  At night, when the moon shed a fairy light over the scene, the tender serenade would rise from among the bowers of the garden, in which the fine voice of Don Ambrosio might often be distinguished; or the amorous flute would be heard along the mountain, breathing in its pensive cadences the very soul of a lover’s melancholy.

Various entertainments were also devised to dispel her loneliness, and to charm away the idea of confinement.  Groups of Andalusian dancers performed, in the splendid saloons, the various picturesque dances of their country; or represented little amorous ballets, which turned upon some pleasing scene of pastoral coquetry and courtship.  Sometimes there were bands of singers, who, to the romantic guitar, warbled forth ditties full of passion and tenderness.

Thus all about her enticed to pleasure and voluptuousnesss; but the heart of Inez turned with distaste from this idle mockery.  The tears would rush into her eyes, as her thoughts reverted from this scene of profligate splendour, to the humble but virtuous home from whence she had been betrayed; or if the witching power of music ever soothed her into a tender reverie, it was to dwell with fondness on the image of Antonio.  But if Don Ambrosio, deceived by this transient calm, should attempt at such time to whisper his passion, she would start as from a dream, and recoil from him with involuntary shuddering.

She had passed one long day of more than ordinary sadness, and in the evening a band of these hired performers were exerting all the animating powers of song and dance to amuse her.  But while the lofty saloon resounded with their warblings, and the light sound of feet upon its marble pavement kept time to the cadence of the song, poor Inez, with her face buried in the silken couch on which she reclined, was only rendered more wretched by the sound of gayety.