However, as the manager was in honor bound to provide for me, he kept his word.  It had been a turn-up of a die whether I should be Alexander the Great or Alexander the copper-smith; the latter carried it.  I could not be put at the head of the drama, so I was put at the tail.  In other words, I was enrolled among the number of what are called useful men; who, let me tell you, are the only comfortable actors on the stage.  We are safe from hisses and below the hope of applause.  We fear not the success of rivals, nor dread the critic’s pen.  So long as we get the words of our parts, and they are not often many, it is all we care for.  We have our own merriment, our own friends, and our own admirers; for every actor has his friends and admirers, from the highest to the lowest.  The first-rate actor dines with the noble amateur, and entertains a fashionable table with scraps and songs and theatrical slip-slop.  The second-rate actors have their second-rate friends and admirers, with whom they likewise spout tragedy and talk slip-slop; and so down even to us; who have our friends and admirers among spruce clerks and aspiring apprentices, who treat us to a dinner now and then, and enjoy at tenth hand the same scraps and songs and slip-slop that have been served up by our more fortunate brethren at the tables of the great.

I now, for the first time in my theatrical life, knew what true pleasure is.  I have known enough of notoriety to pity the poor devils who are called favorites of the public.  I would rather be a kitten in the arms of a spoiled child, to be one moment petted and pampered, and the next moment thumped over the head with the spoon.  I smile, too, to see our leading actors, fretting themselves with envy and jealousy about a trumpery renown, questionable in its quality and uncertain in its duration.  I laugh, too, though of course in my sleeve, at the bustle and importance and trouble and perplexities of our manager, who is harassing himself to death in the hopeless effort to please every body.

I have found among my fellow subalterns two or three quondam managers, who, like myself, have wielded the sceptres of country theatres; and we have many a sly joke together at the expense of the manager and the public.  Sometimes, too, we meet like deposed and exiled kings, talk over the events of our respective reigns; moralize over a tankard of ale, and laugh at the humbug of the great and little world; which, I take it, is the very essence of practical philosophy.

Thus end the anecdotes of Buckthorne and his friends.  A few mornings after our hearing the history of the ex-manager, he bounced into my room before I was out of bed.

“Give me joy! give me joy!” said he, rubbing his hands with the utmost glee, “my great expectations are realized!”