Punch, or the London Charivari, Volume 101, August 22, 1891 eBook

This eBook from the Gutenberg Project consists of approximately 40 pages of information about Punch, or the London Charivari, Volume 101, August 22, 1891.

Punch, or the London Charivari, Volume 101, August 22, 1891 eBook

This eBook from the Gutenberg Project consists of approximately 40 pages of information about Punch, or the London Charivari, Volume 101, August 22, 1891.

  Doctors vow, in tones despotic,
    I must dig ’neath basement floors,
  Lest diseases called zymotic
    Enter in at all my pores. 
  PARKES, of sanitation master,
    Wanted “purity and light;”
  I’m content to risk disaster,
    With unhygienic night.

* * * * *

QUEER QUERIES.—­HYMENEAL.—­I have been asked to attend the wedding of a friend, and respond to the toast of “The Ladies.”  I have never done such a thing before, and feel rather nervous about it.  My friend says that I must “try and be very comic.”  I have thought of one humorous remark—­about the “weaker sex” being really stronger—­which I fancy will be effective, but I can’t think of another.  Would one good joke of that sort be sufficient? A propos of the lady marksman at Bisley, I should like to advise all ladies to “try the Butts,” only I am afraid this might be taken for a reference to the President of the Divorce Division.  How could I work the Jackson case in neatly?  Would it be allowable to pin my speech on the wedding-cake, and read it off?  Also, could I wear a mask?  Any hints would be welcomed by—­BEST MAN.

* * * * *

NOT QUITE POLITE.—­The Manager of the Shaftesbury Theatre advertises “three distinct plays at 8.15, 9.15, and 10.”  Distinct, but not quite clear.  Anyhow, isn’t it rather a slur on other Theatres where it implies the plays, whether at 8.15, 9.15, or 10, are “indistinct.”

* * * * *

SOME CIRCULAR NOTES.

Prospect of Holiday—­An Entree—­A Character in the Opening—­Light and Leading—­French Exercise—­Proposition—­Acceptation—­Light Comedian—­Exit—­Jeudi alors—­The Start.

CHAPTER I.

I am sitting, fatigued, in my study.  I have not taken a holiday this year, or last, for the matter of that.  Others have; I haven’t.  Work! work! work!—­and I am wishing that my goose-quills were wings ("so appropriate!” whisper my good-natured friends behind their hands to one another), so that I might fly away and be at rest.  To this they (the goose-quills, not the friends) have often assisted me ere now.  Suddenly, as I sit “a-thinking, a-thinking,” my door is opened, and, without any announcement, there stands before me a slight figure, of middle height, in middle age, nothing remarkable about his dress, nothing remarkable about his greyish hair and close-cut beard, but something very remarkable about his eyes, which sparkle with intelligence and energy; and something still more remarkable about the action of his arms, hands, and thin, wiry fingers, which suggests the idea of his being an animated semaphore worked by a galvanic battery, telegraphing signals against time at the rate of a hundred words a minute, the substantives being occasionally expressed, but mostly “understood,”—­pronouns and prepositions being omitted wholesale.

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Punch, or the London Charivari, Volume 101, August 22, 1891 from Project Gutenberg. Public domain.