* Allowance must be
made here for poetical licence. In
reality, very few of
the domes are gilt. The great majority
of them are painted
green, like the roofs of the houses.
Since these first weeks of my sojourn in Moscow more than thirty years have passed, and many of my early impressions have been blurred by time, but one scene remains deeply graven on my memory. It was Easter Eve, and I had gone with a friend to the Kremlin to witness the customary religious ceremonies. Though the rain was falling heavily, an immense number of people had assembled in and around the Cathedral of the Assumption. The crowd was of the most mixed kind. There stood the patient bearded muzhik in his well-worn sheepskin; the big, burly, self-satisfied merchant in his long black glossy kaftan; the noble with fashionable great-coat and umbrella; thinly clad old women shivering in the cold, and bright-eyed young damsels with their warm cloaks drawn closely round them; old men with long beard, wallet, and pilgrim’s staff; and mischievous urchins with faces for the moment preternaturally demure. Each right hand, of old and young alike, held a lighted taper, and these myriads of flickering little flames produced a curious illumination, giving to the surrounding buildings a weird picturesqueness which they do not possess in broad daylight. All stood patiently waiting for the announcement of the glad tidings: “He is risen!” As midnight approached, the hum of voices gradually ceased, till, as the clock struck twelve, the deep-toned bell on “Ivan the Great” began to toll, and in answer to this signal all the bells in Moscow suddenly sent forth a merry peal. Each bell—and