we may not be oblig’d to acknowledge the great Inferiority of our Comedies, in respect of Cleanness and moral Beauty:  that we may not be reproach’d, that while we profess a Reform’d and pure Religion, we encourage an immodest and unreform’d Theatre, and that we are very defective in the Practice of Vertue and Regularity of Manners, while these Abominations are indulg’d, and these unhallow’d Groves and High Places of Immorality are frequented without Disturbance.

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No 45 The FREE-HOLDER

No 45 Friday, May 25.

  Nimium risus pretium esi si probitatis impendis constat
  Quintil.

Laughter is bought too dear, if it be at the expence of honesty.

I have lately read, with much pleasure, the Essays upon several subjects published by Sir Richard Blackmore; and though I agree with him in many of his excellent observations, I cannot but take that reasonable freedom, which he himself makes use of, with regard to other writers, to dissent from him in some few particulars.  In his reflexions upon works of wit and humour, he observes how unequal they are to combate vice and folly; and seems to think, that the finest rallery and satire, though directed by these generous views, never reclaimed one vicious man, or made one fool depart from his folly.

This is a position very hard to be contradicted, because no Author knows the number or names of his converts.  As for the Tatlers and Spectators in particular, which are obliged to this ingenious and useful Author for the character he has given of them, they were so generally dispersed in single sheets, and have since been printed in so great numbers, that it is to be hoped they have made some proselytes to the interests, if not to the practice of wisdom and virtue, among such a multitude of readers.

I need not remind this learned Gentleman, that Socrates, who was the greatest propagator of morality in the heathen world, and a martyr for the Unity of the Godhead, was so famous for the exercise of this talent among the politest people of antiquity, that he gained the name of [Greek:  ha Eibon] the Drole.

There are very good effects which visibly arose from the above-mentioned performances and others of the like nature; as, in the first place, they diverted rallery from improper objects, and gave a new turn to ridicule, which for many years had been exerted on persons and things of a sacred and serious nature.  They endeavoured to make mirth instructive, and, if they failed in this great end, they must be allowed at least to have made it innocent.  If wit and humour begin again to relapse into their former licentiousness, they can never hope for approbation from those who know that rallery is useless when it has no moral under it, and pernicious when it attacks any thing that is either unblameable or praise-worthy.  To this we may add, what has been commonly observed, that it is not difficult to be merry on the side of vice, as serious objects act the most capable of ridicule; as the party, which naturally favour such a mirth, is the most numerous; and as there are the most standing jests and patterns for imitation in this kind of writing.