We learn, also, that magnificent statues were made in Egypt some six thousand years ago; and that mention is made of a statue of King Cephren, said to have been chiselled about this period, and many learned men also affirm that letters were known to the inhabitants of the Antediluvian world.  All this, however, hardly looks like the work of a barbarous race, and points to an acquaintance with the Arts, at any rate of Music and Sculpture, and that of the artificers and workers in brass and iron.

To follow, for my subject, this reasoning a little further, if there was music (which, doubtless, there was) there must also have been dancing, and, if dancing, there must, in the Antediluvian age, as a form of entertainment, have also been Pantomime.  On the other hand, even supposing that man, at this period, was nothing else but a complete savage, the words of Darwin, that I have quoted on a previous page, conclusively proves, I think (on a common-sense like basis), of the existence of dancing, a rude form of music, and, of course, Pantomime at this epoch.

Ingersoll’s doctrine was that “The distance from savagery to Shakespeare must be measured not by hundreds, but by millions, of years.”

Finally, why, and for what reason, should the Lord God, in His all-seeing goodness and mercy, punish the inhabitants of the Antediluvian world if they were only poor unenlightened savages?  Was it not because they were idolaters and worshippers of idols, “And that every imagination of the thoughts of his (man’s) heart was only evil continually,” as the sixth chapter and fifth verse of Genesis tells us?  This then being so, we know also that in every ancient form of religion dancing was one of the acts of worship, and if dancing, there must as previously stated, have also been Pantomime.

CHAPTER II.

Origin of Tragedy and Comedy—­Mythology—­The meaning of the word Pantomime—­The origin of Harlequin, Columbine, Clown, and Pantaloon—­Grecian Mythology—­Transformation Scenes—­The rise of Grecian Tragedy and Comedy—­The Satirical Drama.

In the year 2347 B.C., in Chapter 9, verse 20, in Genesis, there occurs:  “And Noah began to be a husbandman, and he planted a vineyard.”  This is one of the first acts that Noah did after the Deluge, and it is, as history tells us, from the rites and ceremonies in celebration of the cultivation of the vine, that we owe the origin of Tragedy and Comedy.

After the Deluge God placed His bow in the heavens as His covenant with man that the world should no more be accursed; and in the first ages of this world’s history, Noah and his descendants celebrated their deliverance from the Ark, the return of the seasons, and the promise of plenty in their several religious rites and ceremonies.  The children of Shem had in general Asia as their portion; Japhet had Europe; and Ham, Africa.