For instance, the tradition of Turkish rule is simply a joke. All the stories about it are jokes, and often very good jokes. My own favourite incident is that which is still commemorated in the English cathedral by an enormous hole in the floor. The Turks dug up the pavement looking for concealed English artillery; because they had been told that the bishop had given his blessing to two canons. The bishop had indeed recently appointed two canons to the service of the Church, but he had not secreted them under the floor of the chancel. There was another agreeable incident when the Turkish authorities, by an impulsive movement of religious toleration, sent for a Greek priest to bury Greek soldiers, and told him to take his choice in a heap of corpses of all creeds and colours. But at once the most curious and the most common touch of comedy is the perpetual social introduction to solid and smiling citizens who have been nearly hanged by the Turks. The fortunate gentleman seems still to be regarding his escape with a broad grin. If you were introduced to a polite Frenchman who had come straight from the guillotine, or to an affable American who had only just vacated the electrical chair, you would feel a faint curiosity about the whole story. If a friend introduced somebody, saying, “My friend Robinson; his sentence has been commuted to penal servitude,” or “My Uncle William, just come from Dartmoor Prison,” your mind and perhaps your lips would faintly form the syllables “What for?” But evidently, under Turkish rule, being hanged was like being knocked down by a cab; it might happen to anybody. This is a parenthesis, since I am only dealing here with the superficial experience of the streets, especially in the snow. But it will be well to safeguard it by saying that this unpolitical carelessness and comprehensiveness of the indiscriminate Turk had its tragic as well as its comic side. It was by no means everybody that escaped hanging; and there was a tree growing outside the Jaffa Gate at which men might still shudder as they pass it in the sunlight. It was what a modern revolutionary poet has called bitterly the Tree of Man’s Making; and what a medieval revolutionary poet called the fruit tree in the orchard of the king. It was the gibbet;