But this lingering yet living power in the legend, even for those to whom it is little more than a legend, has another relevancy to the particular point here. Jesus of Nazareth, merely humanly considered, has thus become a hero of humanitarianism. Even the eighteenth-century deists in denying his divinity generally took pains to exalt his humanity. Of the nineteenth-century revolutionists it is really an understatement to say that they exalted him as a man; for indeed they rather exalted him as a superman. That is to say, many of them represented him as a man preaching a decisively superior and ever strange morality, not only in advance of his age but practically in advance of our age. They made of his mystical counsels of perfection a sort of Socialism or Pacifism or Communism, which they themselves still see rather as something that ought to be or that will be; the extreme limit of universal love. I am not discussing here whether they are right or not; I say they have in fact found in the same figure a type of humanitarianism and the care for human happiness. Every one knows the striking and sometimes staggering utterances that do really support and illustrate this side of the teaching. Modern idealists are naturally moved by such things as the intensely poetic paradox about the lilies of the field; which for them has a joy in life and living things like that of Shelley or Whitman, combined with a return to simplicity beyond that of Tolstoy or Thoreau. Indeed I rather wonder that those, whose merely historic or humanistic view of the case would allow of such criticism without incongruity, have not made some study of the purely poetical or oratorical structure of such passages. Certainly there are few finer examples of the swift architecture of style than that single fragment about the flowers; the almost idle opening of a chance reference to a wild flower, the sudden unfolding of the small purple blossom into pavilions and palaces and the great name of the national history; and then with a turn of the hand like a gesture of scorn, the change to the grass that to-day is and