‘Shift,’ I said. ’I’m prepared to spend more than that in seeking Winnie.’
‘Dordi, brother, you must be as rich as my dad, an’ lie’s the richest Griengro arter Jericho Bozzell. You an’ me’ll jist go down to Chester,’ she continued, her eyes sparkling with delight at the prospect of bargaining for the waggon, ‘an’ we’ll fix up sich a livin’-waggin as no Romany rei never had afore.’
‘Agreed!’ I said, wringing her hand.
‘An’ now you an’ me’s right pals,’ said Sinfi.
We went to Chester, and I became owner of the famous ‘livin’-waggin’ coveted (according to Sinfi) by the great personage whom, on account of his name, she always spoke of as a rich, powerful, but mysterious and invisible Welshman. One of the monthly cheese-fairs was going on in the Linen Hall. Among the rows of Welsh carts standing in front of the ‘Old Yacht Inn,’ Sinfi introduced me to a ‘Griengro’ (one of the Gypsy Locks of Gloucestershire), of whom I bought a bay mare of extraordinary strength and endurance.
IX
It was, then, to find Winifred that I joined the Gypsies. And yet I will not deny that affinity with the kinsfolk of my ancestress Fenella Stanley must have had something to do with this passage in my eccentric life. That strain of Romany blood which, according to my mother’s theory, had much to do with drawing Percy Aylwin and Rhona Boswell together, was alive and potent in my own veins.
But I must pause here to say a few words about Sinfi Lovell. Some of my readers must have already recognised her as a famous character in bohemian circles. Sinfi’s father was a ‘Griengro,’ that is to say, a horse-dealer. She was, indeed, none other than that ‘Fiddling Sinfi’ who became famous in many parts of England and Wales as a violinist, and also as the only performer on the old Welsh stringed instrument called the ‘crwth,’ or cruth. Most Gypsies are musical, but Sinfi was a genuine musical genius. Having become,