Since his accession to fame he had sometimes gone into society. One of his old friends, the now-famous physician, Horace Bianchon, persuaded him to make the acquaintance of the Baron de Rastignac, under-secretary of State, and a friend of de Marsay, the prime minister. These two political officials acquiesced, rather nobly, in the strong wish of d’Arthez, Bianchon, and other friends of Michel Chrestien for the removal of the body of that republican to the church of Saint-Merri for the purpose of giving it funeral honors. Gratitude for a service which contrasted with the administrative rigor displayed at a time when political passions were so violent, had bound, so to speak, d’Arthez to Rastignac. The latter and de Marsay were much too clever not to profit by that circumstance; and thus they won over other friends of Michel Chrestien, who did not share his political opinions, and who now attached themselves to the new government. One of them, Leon Giraud, appointed in the first instance master of petitions, became eventually a Councillor of State.
The whole existence of Daniel d’Arthez is consecrated to work; he sees society only by snatches; it is to him a sort of dream. His house is a convent, where he leads the life of a Benedictine; the same sobriety of regimen, the same regularity of occupation. His friends knew that up to the present time woman had been to him no more than an always dreaded circumstance; he had observed her too much not to fear her; but by dint of studying her he had ceased to understand her,—like, in this, to those deep strategists who are always beaten on unexpected ground, where their scientific axioms are either modified or contradicted. In character he still remains a simple-hearted child, all the while proving himself an observer of the first rank. This contrast, apparently impossible, is explainable to those who know how to measure the depths which separate faculties from feelings; the former proceed from the head, the latter from the heart. A man can be a great man and a wicked one, just as he can be a fool and a devoted lover. D’Arthez is one of those privileged beings in whom shrewdness of mind and a broad expanse of the qualities of the brain do not exclude either the strength or the grandeur of sentiments. He is, by rare privilege, equally a man of action and a man of thought. His private life is noble and generous. If he carefully avoided love, it was because he knew himself, and felt a premonition of the empire such a passion would exercise upon him.