of literature put together. The library that is
able to show a fiction percentage of 60, points to
it with pride, while there are plenty with percentages
between 70 and 80. Now this is all to the credit
of the fiction writers. I refuse to believe that
their readers are any more fundamentally interested
in the subjects of which they treat than in others.
They simply follow the line of least resistance.
They want something interesting to read and they know
from experience where to go for it. Of course
this brings on abuses. Writers use illegitimate
methods to arouse interest—appeals perhaps,
to unworthy instincts. We need not discuss that
here, but simply focus our attention on the fact that
writers of fiction always try to be interesting because
they must; while writers of history, travel, biography
and philosophy do not usually try, because they think
it unnecessary. This is simply a survival.
It used to be true that readers of these subjects
read them because of their great antecedent interest
in them—an interest so great that interesting
methods of presentation became unnecessary. No
one cared about the masses, still less about what
they might or might not read. Things are changed
now; we are trying to advertise stored ideas to persons
unfamiliar with them and we are suddenly awakening
to the fact that our stock is not all that it should
be. We need history, science and travel fascinatingly
presented—at least as interestingly as
the fiction-writer presents his subjects. This
is by no means impossible, because it has been done,
in a few instances. We are by no means in the
position of the Irishman who didn’t know whether
or not he could play the piano, because he had never
tried. Some of our authors have tried—and
succeeded. No one after William James can say
that philosophy cannot be made interesting to the
ordinary reader. Tyndall showed us long ago that
physics could interest the unlearned, and there are
similarly interesting writers on history and travel—more
perhaps in these two classes than any other.
But it remains true that the vast majority of non-fiction
books do not attract, and were not written with the
aim of attracting, the ordinary reader such as the
libraries are now trying to reach. The result
is that the fiction writers are usurping the functions
of these uninteresting scribes and are putting history,
science, economics, biology, medicine—all
sorts of subjects, into fictional form—a
sufficient answer to any who may think that the subjects
themselves, as distinguished from the manner in which
they are presented, are calculated to repel the ordinary
reader. Fiction is thus becoming, if it has not
already become, the sole form of literary expression,
so far as the ordinary reader is concerned. This
is interesting; it justifies the large stock of fiction
in public libraries and the large circulation of that
stock. It does not follow that it is commendable
or desirable. For one thing it places truth and