Konstantin awkwardly released his feet, on which he was sitting, stretched himself on the earth, and propped his head in his fists, then got up and sat down again.  Everyone by now thoroughly understood that he was in love and happy, poignantly happy; his smile, his eyes, and every movement, expressed fervent happiness.  He could not find a place for himself, and did not know what attitude to take to keep himself from being overwhelmed by the multitude of his delightful thoughts.  Having poured out his soul before these strangers, he settled down quietly at last, and, looking at the fire, sank into thought.

At the sight of this happy man everyone felt depressed and longed to be happy, too.  Everyone was dreamy.  Dymov got up, walked about softly by the fire, and from his walk, from the movement of his shoulder-blades, it could be seen that he was weighed down by depression and yearning.  He stood still for a moment, looked at Konstantin and sat down.

The camp fire had died down by now; there was no flicker, and the patch of red had grown small and dim. . . .  And as the fire went out the moonlight grew clearer and clearer.  Now they could see the full width of the road, the bales of wool, the shafts of the waggons, the munching horses; on the further side of the road there was the dim outline of the second cross. . . .

Dymov leaned his cheek on his hand and softly hummed some plaintive song.  Konstantin smiled drowsily and chimed in with a thin voice.  They sang for half a minute, then sank into silence.  Emelyan started, jerked his elbows and wriggled his fingers.

“Lads,” he said in an imploring voice, “let’s sing something sacred!” Tears came into his eyes.  “Lads,” he repeated, pressing his hands on his heart, “let’s sing something sacred!”

“I don’t know anything,” said Konstantin.

Everyone refused, then Emelyan sang alone.  He waved both arms, nodded his head, opened his mouth, but nothing came from his throat but a discordant gasp.  He sang with his arms, with his head, with his eyes, even with the swelling on his face; he sang passionately with anguish, and the more he strained his chest to extract at least one note from it, the more discordant were his gasps.

Yegorushka, like the rest, was overcome with depression.  He went to his waggon, clambered up on the bales and lay down.  He looked at the sky, and thought of happy Konstantin and his wife.  Why did people get married?  What were women in the world for?  Yegorushka put the vague questions to himself, and thought that a man would certainly be happy if he had an affectionate, merry and beautiful woman continually living at his side.  For some reason he remembered the Countess Dranitsky, and thought it would probably be very pleasant to live with a woman like that; he would perhaps have married her with pleasure if that idea had not been so shameful.  He recalled her eyebrows, the pupils of her eyes, her carriage, the clock with the horseman. . . .  The soft warm night moved softly down upon him and whispered something in his ear, and it seemed to him that it was that lovely woman bending over him, looking at him with a smile and meaning to kiss him. . . .