“Good-bye, Olga Mihalovna, darling!  Go indoors, or you will catch cold!  It’s damp!”

“Wo-o-o! you rascal!”

“What horses have you got here?” Pyotr Dmitritch asked.

“They were bought from Haidorov, in Lent,” answered the coachman.

“Capital horses. . . .”

And Pyotr Dmitritch patted the trace horse on the haunch.

“Well, you can start!  God give you good luck!”

The last visitor was gone at last; the red circle on the road quivered, moved aside, contracted and went out, as Vassily carried away the lamp from the entrance.  On previous occasions when they had seen off their visitors, Pyotr Dmitritch and Olga Mihalovna had begun dancing about the drawing-room, facing each other, clapping their hands and singing:  “They’ve gone!  They’ve gone!” But now Olga Mihalovna was not equal to that.  She went to her bedroom, undressed, and got into bed.

She fancied she would fall asleep at once and sleep soundly.  Her legs and her shoulders ached painfully, her head was heavy from the strain of talking, and she was conscious, as before, of discomfort all over her body.  Covering her head over, she lay still for three or four minutes, then peeped out from under the bed-clothes at the lamp before the ikon, listened to the silence, and smiled.

“It’s nice, it’s nice,” she whispered, curling up her legs, which felt as if they had grown longer from so much walking.  “Sleep, sleep . . . .”

Her legs would not get into a comfortable position; she felt uneasy all over, and she turned on the other side.  A big fly blew buzzing about the bedroom and thumped against the ceiling.  She could hear, too, Grigory and Vassily stepping cautiously about the drawing-room, putting the chairs back in their places; it seemed to Olga Mihalovna that she could not go to sleep, nor be comfortable till those sounds were hushed.  And again she turned over on the other side impatiently.

She heard her husband’s voice in the drawing-room.  Some one must be staying the night, as Pyotr Dmitritch was addressing some one and speaking loudly: 

“I don’t say that Count Alexey Petrovitch is an impostor.  But he can’t help seeming to be one, because all of you gentlemen attempt to see in him something different from what he really is.  His craziness is looked upon as originality, his familiar manners as good-nature, and his complete absence of opinions as Conservatism.  Even granted that he is a Conservative of the stamp of ’84, what after all is Conservatism?”

Pyotr Dmitritch, angry with Count Alexey Petrovitch, his visitors, and himself, was relieving his heart.  He abused both the Count and his visitors, and in his vexation with himself was ready to speak out and to hold forth upon anything.  After seeing his guest to his room, he walked up and down the drawing-room, walked through the dining-room, down the corridor, then into his study, then again went into the drawing-room, and came into the bedroom.  Olga Mihalovna was lying on her back, with the bed-clothes only to her waist (by now she felt hot), and with an angry face, watched the fly that was thumping against the ceiling.