“That’s . . . what’s that?” he asked.

“That’s a net for catching quails.”

“And what price is it?”

“Eight roubles, M’sieu.”

“Wrap it up for me. . . .”

The outraged husband paid his eight roubles, took the net, and, feeling even more outraged, walked out of the shop.

THE JEUNE PREMIER

YEVGENY ALEXEYITCH PODZHAROV, the jeune premier, a graceful, elegant young man with an oval face and little bags under his eyes, had come for the season to one of the southern towns of Russia, and tried at once to make the acquaintance of a few of the leading families of the place.  “Yes, signor,” he would often say, gracefully swinging his foot and displaying his red socks, “an artist ought to act upon the masses, both directly and indirectly; the first aim is attained by his work on the stage, the second by an acquaintance with the local inhabitants.  On my honour, parole d’honneur, I don’t understand why it is we actors avoid making acquaintance with local families.  Why is it?  To say nothing of dinners, name-day parties, feasts, soirees fixes, to say nothing of these entertainments, think of the moral influence we may have on society!  Is it not agreeable to feel one has dropped a spark in some thick skull?  The types one meets!  The women! Mon Dieu, what women! they turn one’s head!  One penetrates into some huge merchant’s house, into the sacred retreats, and picks out some fresh and rosy little peach—­ it’s heaven, parole d’honneur!”

In the southern town, among other estimable families he made the acquaintance of that of a manufacturer called Zybaev.  Whenever he remembers that acquaintance now he frowns contemptuously, screws up his eyes, and nervously plays with his watch-chain.

One day—­it was at a name-day party at Zybaev’s—­the actor was sitting in his new friends’ drawing-room and holding forth as usual.  Around him “types” were sitting in armchairs and on the sofa, listening affably; from the next room came feminine laughter and the sounds of evening tea. . . .  Crossing his legs, after each phrase sipping tea with rum in it, and trying to assume an expression of careless boredom, he talked of his stage triumphs.

“I am a provincial actor principally,” he said, smiling condescendingly, “but I have played in Petersburg and Moscow too. . . .  By the way, I will describe an incident which illustrates pretty well the state of mind of to-day.  At my benefit in Moscow the young people brought me such a mass of laurel wreaths that I swear by all I hold sacred I did not know where to put them! Parole d’honneur! Later on, at a moment when funds were short, I took the laurel wreaths to the shop, and . . . guess what they weighed.  Eighty pounds altogether.  Ha, ha! you can’t think how useful the money was.  Artists, indeed, are often hard up.  To-day I have hundreds, thousands, tomorrow nothing. . . .  To-day I haven’t a crust of bread, to-morrow I have oysters and anchovies, hang it all!”