Our Stage and Its Critics eBook

This eBook from the Gutenberg Project consists of approximately 278 pages of information about Our Stage and Its Critics.

Our Stage and Its Critics eBook

This eBook from the Gutenberg Project consists of approximately 278 pages of information about Our Stage and Its Critics.
an old hidden water-hole that was unknown even to the oldest man in the party.  The stranger said that he did not understand the matter, but that he had somehow experienced a sensation of having been there before, and knowing just where the water-hole was located.  An old Indian who was questioned about the matter, afterward, stated that the place had been well known to his people who formerly travelled much on that part of the desert; and that they had legends relating to the “hidden water-hole,” running back for many generations.  In this case, it was remarked that the water-hole was situated in such a peculiar and unusual manner, as to render it almost undiscoverable even to people familiar with the characteristics of that part of the country.  The old lady who related the story, had it direct from the lips of one of the party, who regarded it as “something queer,” but who had never even heard of Metempsychosis.

A correspondent of an English magazine writes as follows:  “A gentleman of high intellectual attainments, now deceased, once told me that he had dreamed of being in a strange city, so vividly that he remembered the streets, houses and public buildings as distinctly as those of any place he ever visited.  A few weeks later he was induced to visit a panorama in Leicester Square, when he was startled by seeing the city of which he had dreamed.  The likeness was perfect, except that one additional church appeared in the picture.  He was so struck by the circumstance that he spoke to the exhibitor, assuming for the purpose the air of a traveller acquainted with the place, when he was informed that the church was a recent erection.”  The fact of the addition of the church, seems to place the incident within the rule of awakened memories of scenes known in a past life, for clairvoyance, astral travel, etc., would show the scene as it was at the time of the dream, not as it had been years before.

Charles Dickens mentions a remarkable impression in his work “Pictures from Italy.”  “In the foreground was a group of silent peasant girls, leaning over the parapet of the little bridge, looking now up at the sky, now down into the water; in the distance a deep dell; the shadow of an approaching night on everything.  If I had been murdered there in some former life I could not have seemed to remember the place more thoroughly, or with more emphatic chilling of the blood; and the real remembrance of it acquired in that minute is so strengthened by the imaginary recollection that I hardly think I could forget it.”

We have recently met two people in America who had very vivid memories of incidents in their past life.  One of these, a lady, has a perfect horror of large bodies of water, such as the Great Lakes, or the Ocean, although she was born and has lived the greater part of her life inland, far removed from any great body of water, She has a distinct recollection of falling from a large canoe-shape vessel, of peculiar lines, and drowning.  She was quite overcome upon her first visit to the Field Museum in Chicago, where there were exhibited a number of models of queer vessels used by primitive people.  She pointed out one similar in shape, and lines, to the one she remembers as having fallen from in some past life.

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Our Stage and Its Critics from Project Gutenberg. Public domain.