Mr. Stockton wrote the second one; and as there was still a clamor for more, he, after a little time, wrote others of the series.  Some time later they were collected in a book.  For those interested in Pomona I will add, that while the girl was an actual personage, with all the characteristics given to her by her chronicler, the woman Pomona was a development in Mr. Stockton’s mind of the girl as he imagined she would become, for the original passed out of our lives while still a girl.

Rudder Grange was Mr. Stockton’s first book for adult readers, and a good deal of comment has been made upon the fact that he had reached middle life when it was published.  His biographers and critics assume that he was utterly unknown at that time, and that he suddenly jumped into favor, and they naturally draw the inference that he had until then vainly attempted to get before the public.  This is all a misapprehension of the facts.  It will be seen from what I have previously stated, that at this time he was already well known as a juvenile writer, and not only had no difficulty in getting his articles printed, but editors and publishers were asking him for stories.  He had made but few slight attempts to obtain a larger audience.  That he confined himself for so long a time to juvenile literature can be easily accounted for.  For one thing, it grew out of his regular work of constantly catering for the young, and thinking of them.  Then, again, editorial work makes urgent demands upon time and strength, and until freed from it he had not the leisure or inclination to fashion stories for more exacting and critical readers.  Perhaps, too, he was slow in recognizing his possibilities.  Certain it is that the public were not slow to recognize him.  He did, however, experience difficulties in getting the collected papers of Rudder Grange published in book form.  I will quote his own account, which is interesting as showing how slow he was to appreciate the fact that the public would gladly accept the writings of a humorist: 

“The discovery that humorous compositions could be used in journals other than those termed comic marked a new era in my work.  Periodicals especially devoted to wit and humor were very scarce in those days, and as this sort of writing came naturally to me, it was difficult, until the advent of Puck, to find a medium of publication for writings of this nature.  I contributed a good deal to this paper, but it was only partly satisfactory, for articles which make up a comic paper must be terse and short, and I wanted to write humorous tales which should be as long as ordinary magazine stories.  I had good reason for my opinion of the gravity of the situation, for the editor of a prominent magazine declined a humorous story (afterward very popular) which I had sent him, on the ground that the traditions of magazines forbade the publication of stories strictly humorous.  Therefore, when I found an editor at last who actually