In the Footprints of the Padres eBook

This eBook from the Gutenberg Project consists of approximately 238 pages of information about In the Footprints of the Padres.

In the Footprints of the Padres eBook

This eBook from the Gutenberg Project consists of approximately 238 pages of information about In the Footprints of the Padres.

She shone on the tall slim panes of glass in the bay window till they shimmered like ice, and brightened the carpet on the floor of the room—­a carpet that was faded and frayed; she threw a soft glow upon the three walls beyond the window; where were low, convenient shelves of books; there were books, books, books everywhere—­books of all descriptions, neither creed nor caution limited their range.  Many pictures and sketches in oil or water-color—­some of them unframed—­were upon the walls above the book-shelves; there were bronze statuettes, graceful figures of lute-strumming troubadours upon the old-fashioned marble mantel; there were busts and medallions in plaster, and a few casts after the antique.  Heaped in corners, and upon the tops of the book-shelves lay bric-a-brac in hopeless confusion; toy canoes from Kamchatka and the Southern seas; wooden masks from the burial places of the Alaskan Indians and the Theban Tombs of the Nile Kings; rude fish-hooks that had been dropped in the coral seas; sharks’ teeth; and the strong beak of an albatross whose webbed feet were tobacco pouches and whose hollow wing-bones were the long jointed stem of a pipe; spears and war-clubs were there, brought from the gleaming shores of reef-girdled islands; a Florentine lamp; a roll of papyrus; an idol from Easter Island, the eyes of which were two missionary shirt buttons of mother-of-pearl, of the Puritan type; your practical cannibal, having eaten his missionary, spits out the shirt buttons to be used as the eyes which see not; carved gourds were there, and calabashes; Mexican pottery; and some of the latest Pompeiian antiquities such as are miraculously discovered in the presence of the amazed and delighted tourist who secretly purchases the same for considerably more than a song.

There were pious objects, many of them resembling the Ex Votos at a shrine; an ebony and bronzed indulgenced crucifix with a history, and Sacred Hearts done in scarlet satin with flames of shining tinsel flickering from their tops.

There were vines creeping everywhere within the room, from jars that stood on brackets and made hanging gardens of themselves; creepers, yards in length that sprung from the mouths of water-pots hidden behind objects of interest, and these framed the pictures in living green; a huge wide-mouthed vase stood in the bay window filled with a great pulu fern still nourished by its native soil—­a veritable tropical island this, now basking in the moonlight far from its native clime.  Japanese and Chinese lanterns were there; and an ostrich egg brought from Nubia that hung like an alabaster lamp lit by a moonbeam; and fans, of course, but quaint barbaric ones from the Orient and the Equatorial Isles; and framed and unframed photographs of celebrities each bearing an original autograph; and easy chairs, nothing but the easiest chairs from the very far-reaching one with the long arms like a pair of oars over which one throws his slippered feet, and lolls in his pajamas in memory of an East Indian season of exile, to the deep nest-like sleepy hollow quite big enough for two, in which one dozes and dreams, and out of which it is so difficult for one to rise.  Over all this picturesque confusion grinned a fleshless human skull with its eye sockets and yawning jaws stuffed full of faded boutonnieres.

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In the Footprints of the Padres from Project Gutenberg. Public domain.