Virgilium vidi tantum,—I
have seen
But as a boy, who looks alike on all,
That misty hair, that fine
Undine-like mien,
Tremulous as down to feeling’s faintest
call;—
Ah, dear old homestead! count
it to thy fame
That thither many times the
Painter came;— 230
One elm yet bears his name, a feathery tree and tall.
Swiftly the present fades
in memory’s glow,—
Our only sure possession is the past;
The village blacksmith died
a month ago,
And dim to me the forge’s roaring
blast;
Soon fire-new mediaevals we
shall see
Oust the black smithy from
its chestnut-tree,
And that hewn down, perhaps, the beehive green and
vast.
How many times, prouder than
king on throne,
Loosed from the village school-dame’s
A’s and B’s, 240
Panting have I the creaky
bellows blown,
And watched the pent volcano’s red
increase,
Then paused to see the ponderous
sledge, brought down
By that hard arm voluminous
and brown,
From the white iron swarm its golden vanishing bees.
Dear native town! whose choking
elms each year
With eddying dust before their time turn
gray,
Pining for rain,—to
me thy dust is dear;
It glorifies the eve of summer day,
And when the westering sun
half sunken burns, 250
The mote-thick air to deepest
orange turns,
The westward horseman rides through clouds of gold
away.
So palpable, I’ve seen
those unshorn few,
The six old willows at the causey’s
end
(Such trees Paul Potter never
dreamed nor drew),
Through this dry mist their checkering
shadows send,
Striped, here and there, with
many a long-drawn thread,
Where streamed through leafy
chinks the trembling red,
Past which, in one bright trail, the hangbird’s
flashes blend.
Yes, dearer far thy dust than
all that e’er, 260
Beneath the awarded crown of victory,
Gilded the blown Olympic charioteer;
Though lightly prized the ribboned parchments
three,
Yet collegisse juvat,
I am glad
That here what colleging was
mine I had,—
It linked another tie, dear native town, with thee!
Nearer art thou than simply
native earth,
My dust with thine concedes a deeper tie;
A closer claim thy soil may
well put forth,
Something of kindred more than sympathy;
270
For in thy bounds I reverently
laid away
That blinding anguish of forsaken
clay,
That title I seemed to have in earth and sea and sky,
That portion of my life more
choice to me
(Though brief, yet in itself so round
and whole)
Than all the imperfect residue
can be;—
The Artist saw his statue of the soul
Was perfect; so, with one
regretful stroke,
The earthen model into fragments
broke,
And without her the impoverished seasons roll.
280