The success of my experiment soon began not only to astonish me, but to make me feel the responsibility of knowing that I held in my hand a weapon instead of the mere fencing-stick I had supposed. Very far from being a popular author under my own name, so far, indeed, as to be almost unread, I found the verses of my pseudonym copied everywhere; saw them pinned up in workshops; I heard them quoted and their authorship debated; I once even, when rumor had at length caught up my name in one of its eddies, had the satisfaction of overhearing it demonstrated, in the pauses of a concert, that I was utterly incompetent to have written anything of the kind. I had read too much not to know the utter worthlessness of contemporary reputation, especially as regards satire, but I knew also that by giving a certain amount of influence it also had its worth, if that influence were used on the right side. I had learned, too, that the first requisite of good writing is to have an earnest and definite purpose, whether aesthetic or moral, and that even good writing, to please long, must have more than an average amount either of imagination or common-sense. The first of these falls to the lot of scarcely one in several generations; the last is within the reach of many in every one that passes; and of this an author may fairly hope to become in part the mouthpiece. If I put on the cap and bells and made myself one of the court-fools of King Demos, it was less to make his majesty laugh than to win a passage to his royal ears for certain serious things which I had deeply at heart. I say this because there is no imputation that could be more galling to any man’s self-respect than that of being a mere jester. I endeavored, by generalising my satire, to give it what value I could beyond the passing moment and the immediate application. How far I have succeeded I cannot tell, but I have had better luck than I ever looked for in seeing my verses survive to pass beyond their nonage.
In choosing the Yankee dialect, I did not act without forethought. It had long seemed to me that the great vice of American writing and speaking was a studied want of simplicity, that we were in danger of coming to look on our mother-tongue as a dead language, to be sought in the grammar and dictionary rather than in the heart, and that our only chance of escape was by seeking it at its living sources among those who were, as Scottowe says of Major-General Gibbons, ‘divinely illiterate.’ President