It might be supposed, that after so portentously marvellous an escape as the one just related, the unlucky couple might be allowed a short respite at least from the persecutions of adverse fortune. But perils in love succeed without an interval to perils in war. It is the invariable rule of all Greek romances, as we have remarked in a previous number, that the attractions both of the hero and heroine, should be perfectly irresistible by those of the other sex; and accordingly, the Egyptian officer Charmides no sooner beholds Leucippe, than he falls in love with her, and endeavours to gain over Menelaus to further his views. Menelaus feigns compliance, but privately gives information of the designs of Charmides to Clitophon, who is thrown into a dreadful state of consternation by his apprehensions of this powerful rival. At this juncture, however, Leucippe is suddenly seized with a fit of extravagant frenzy, which defies all the skill of the Egyptian camp; and under the influence of which she violently assaults her friends, and is guilty of sundry vagaries not altogether seemly in a well-bred young lady. Both her admirers, Charmides and Clitophon, are in despair, and equally in ignorance of the cause of her malady; but before any symptoms of amendment are perceptible, Charmides receives orders[5] to march with his whole force against the buccaniers, by whom he is inveigled into an ambuscade, and with most of his men either slain or drowned by the breaking of the dykes of the Nile. The madness of Leucippe is still incurable, till a stranger named Choereas makes his appearance, and introducing himself to Clitophon, informs him that he has discovered from the confession of a domestic, that Gorgias, an officer who fell in the late action with the Bucoli, captivated,