lines round the edges of a common cup and saucer,
and speculated upon the means by which it was arrived
at. A girl drew those lines, a girl with a hand
as sure as Giotto’s, and no better tools than
a couple of brushes and a small revolving table called
a whirler. Forty-eight hours a week Mary Beechinor
sat before her whirler. Actuating the treadle,
she placed a piece of ware on the flying disc, and
with a single unerring flip of the finger pushed it
precisely to the centre; then she held the full brush
firmly against the ware, and in three seconds the band
encircled it truly; another brush taken up, and the
line below the band also stood complete. And
this process was repeated, with miraculous swiftness,
hour after hour, week after week, year after year.
Mary could decorate over thirty dozen cups and saucers
in a day, at three halfpence the dozen. ‘Doesn’t
she ever do anything else?’ some visitor might
curiously inquire, whom Titus Price was showing over
his ramshackle manufactory. ‘No, always
the same thing,’ Titus would answer, made proud
for the moment of this phenomenon of stupendous monotony.
’I wonder how she can stand it—she
has a refined face,’ the visitor might remark;
and Mary Beechinor was left alone again. The
idea that her work was monotonous probably never occurred
to the girl. It was her work—as natural
as sleep, or the knitting which she always did in
the dinner-hour. The calm and silent regularity
of it had become part of her, deepening her original
quiescence, and setting its seal upon her inmost spirit.
She was not in the fellowship of the other girls in
the painting-shop. She seldom joined their more
boisterous diversions, nor talked their talk, and
she never manoeuvred for their men. But they liked
her, and their attitude showed a certain respect,
forced from them by they knew not what. The powers
in the office spoke of Mary Beechinor as ’a very
superior girl.’
She ran downstairs after Mark, and he waited in the
narrow hall, where there was scarcely room for two
people to pass. Mark looked at her inquiringly.
Rather thin, and by no means tall, she seemed the merest
morsel by his side. She was wearing her second-best
crimson merino frock, partly to receive the doctor
and partly because it was Saturday night; over this
a plain bibless apron. Her cold gray eyes faintly
sparkled in anger above the cheeks white with watching,
and the dropped corners of her mouth showed a contemptuous
indignation. Mary Beechinor was ominously roused
from the accustomed calm of years. Yet Mark at
first had no suspicion that she was disturbed.
To him that pale and inviolate face, even while it
cast a spell over him, gave no sign of the fires within.
She took him by the coat-sleeve and silently directed
him into the gloomy little parlour crowded with mahogany
and horsehair furniture, white antimacassars, wax
flowers under glass, and ponderous gilt-clasped Bibles.
‘It’s a cruel shame!’ she whispered,
as though afraid of being overheard by the dying man
upstairs.