Mozart prepared to leave Paris at once, and his father was the more willing, since the Archbishop of Salzburg offered Wolfgang the position of Court organist, at a salary of 500 florins, with permission to absent himself whenever he might be called upon to conduct his own operas.  Leopold urged Wolfgang’s acceptance, as their joint income would amount to one thousand florins a year—­a sum that would enable them to pay their debts and live in comparative comfort.

To Mozart the thought of settling down in Salzburg under the conditions stated in his father’s letter was distasteful, but he had not the heart to withstand his father’s appeal.  He set out from Paris at once, promising himself just one indulgence before entering the bondage which lay before him, a visit to his friends the Webers at Mannheim.  When he arrived there he found they had gone to Munich to live.  Therefore he pushed on to Munich.  The Weber family received him as warmly as of old, but in Aloysia’s eyes there was only a friendly greeting, nothing more.  A few short months had cooled her fickle attachment for the young composer.  This discovery was a bitter trial to Wolfgang and he returned to his Salzburg home saddened by disappointed love and ambition.

Here in his old home he was cheered by a rapturous welcome; it was little short of a triumph, this greeting and homage showered on him by father, sister and friends.  In their eyes his success was unshadowed by failure; to them he was Mozart the great composer, the genius among musicians.  He was very grateful for these proofs of affection and esteem, but he had still the same aversion to Salzburg and his Court duties.  So it was with new-kindled joy that he set out once more for Munich, in November, 1780, to complete and produce the opera he had been commissioned to write for the carnival the following year.

The new opera, “Idomeneo,” fulfilled the high expectations his Munich friends had formed of the composer’s genius.  Its reception at the rehearsals proved success was certain, and the Elector who was present, joined the performers in expressing his unqualified approval.  At home the progress of the work was followed with deepest interest.  The first performance of “Idomeneo” took place on January 29, 1781.  Leopold and Marianne journeyed to Munich to witness Wolfgang’s triumph.  It was a proud, happy moment for all three; the enthusiastic acclaim which shook the theater seemed to the old father, who watched with swimming eyes the sea of waving hands around him, to set the seal of greatness on his son’s career.

The Archbishop, under whom Mozart held the meager office we have spoken of, grew more overbearing in his treatment; he was undoubtedly jealous that great people of Vienna were so deferential to one of his servants, as he chose to call him.  At last the rupture came; after a stormy scene Mozart was dismissed from his service, and was free.

Father Mozart was alarmed when he heard the news of the break, and endeavored to induce Wolfgang to reconsider his decision and return to Salzburg.  But the son took a firm stand for his independence.  “Do not ask me to return to Salzburg,” he wrote his father; “ask me anything but that.”