Grieg was constantly using up his strength by too much exertion.  To a friend in 1906, he wrote:  “Yes, at your age it is ever hurrah-vivat.  At my age we say, sempre diminuendo.  And I can tell you it is not easy to make a beautiful diminuendo.”  Yet he still gave concerts, saying he had not the strength of character to refuse.  Indeed he had numerous offers to go to America, which he refused as he felt he could not endure the sea voyage.  Always cheerful, even vivacious, he kept up bravely until almost the end of his life, but finally, the last of August, 1907, he was forced to go to a hospital in Bergen.  On the night of September 3, his life ebbed away in sleep.

The composer who through his music had endeared himself to the whole world, was granted a touching funeral, at which only his own music was heard, including his Funeral March, which he had composed for his friend Nordraak.  The burial place is as romantic as his music.  Near his home there is a steep cliff, about fifty feet high, projecting into the fjord.  Half way up there is a natural grotto, which can only be reached by water.  In this spot, chosen by Grieg himself, the urn containing his ashes was deposited some weeks after the funeral.  Then the grotto was closed and a stone slab with the words “Edward Grieg” cut upon it, was cemented in the cliff.

XX

PETER ILYITCH TSCHAIKOWSKY

Russian composers and Russian music are eagerly studied by those who would keep abreast of the time.  This music is so saturated with strong, vigorous life that it is inspiring to listen to.  Its rugged strength, its fascinating rhythms, bring a new message.  It is different from the music of other countries and at once attracts by its unusual melodies and its richness of harmony.

Among the numerous composers of modern Russia, the name of Peter Ilyitch Tschaikowsky stands out most prominently.  This distinctive composer was born on April 28, 1840, in Votinsk, where his father, who was a mining engineer, had been appointed inspector of the mines at Kamsko-Votinsk.  The position of manager of such important mines carried with it much luxury, a fine house, plenty of servants and an ample salary.  Thus the future young musician’s home life was not one of poverty and privation, as has been the lot of so many gifted ones, who became creators in the beautiful art of music.

Peter Ilyitch was less than five years old when a new governess came into the family, to teach his elder brother Nicholas and his cousin Lydia.  As a little boy he was apt to be untidy, with buttons missing and rumpled hair.  But his nature was so affectionate and sympathetic that he charmed every one with his pretty, loving ways.  This natural gift he always retained.  The governess was a very superior person and her influence over her young charges was healthful and beneficial.  The child Peter was most industrious at his lessons; but for recreation often preferred playing the piano, reading, or writing poetry, to playing with other children.