to the hoop of a cask, against which she so dextrously squatted that she might have been mistaken for a work of art carved in antique bas-relief.  Lifting his eyes to heaven to implore a remedy for the misfortunes of the state, an old rat perceived this pretty mouse, so gentle and shapely, and declared that the State might be saved by her.  All the muzzles turned to this Lady of Good Help, became silent, and agreed to let her loose upon the shrew-mouse, and in spite of the anger of certain envious mice, she was triumphantly marched around the cellar, where, seeing her walk mincingly, mechanically move her tail, shake her cunning little head, twitch her diaphanous ears, and lick with her little red tongue the hairs just sprouting on her cheeks, the old rats fell in love with her and wagged their wrinkled, white-whiskered jaws with delight at the sight of her, as did formerly the old men of Troy, admiring the lovely Helen, returning from her bath.  Then the maiden was conducted to the granary, with instructions to make a conquest of the shrew-mouse’s heart, and save the fine red grain, as did formerly the fair Hebrew, Esther, for the chosen people, with the Emperor Ahasuerus, as is written in the master-book, for Bible comes from the Greek word biblos, as if to say the only book.  The mouse promised to deliver the granaries, for by a lucky chance she was the queen of mice, a fair, plump, pretty little mouse, the most delicate little lady that ever scampered merrily across the floors, scratched between the walls, and gave utterance to little cries of joy at finding nuts, meal, and crumbs of bread in her path; a true fay, pretty and playful, with an eye clear as crystal, a little head, sleek skin, amorous body, rosy feet, and velvet tail—­a high born mouse and a polished speaker with a natural love of bed and idleness—­a merry mouse, more cunning than an old Doctor of Sorbonne fed on parchment, lively, white bellied, streaked on the back, with sweet moulded breasts, pearl-white teeth, and of a frank open nature—­in fact, a true king’s morsel.”

This portraiture was so bold—­the mouse appearing to have been the living image of Madame Diana, then present—­that the courtiers stood aghast.  Queen Catherine smiled, but the king was in no laughing humour.  But Rabelais went on without paying any attention to the winks of the Cardinal Bellay and de Chatillon, who were terrified for the good man.

“The pretty mouse,” said he, continuing, “did not beat long about the bush, and from the first moment that she trotted before the shrew-mouse, she had enslaved him for ever by her coquetries, affectations, friskings, provocations, little refusals, piercing glances, and wiles of a maiden who desires yet dares not, amorous oglings, little caresses, preparatory tricks, pride of a mouse who knows her value, laughings and squeakings, triflings and other endearments, feminine, treacherous and captivating ways, all traps which are abundantly used by the females of all nations.