A Short Biographical Dictionary of English Literature eBook

This eBook from the Gutenberg Project consists of approximately 822 pages of information about A Short Biographical Dictionary of English Literature.

A Short Biographical Dictionary of English Literature eBook

This eBook from the Gutenberg Project consists of approximately 822 pages of information about A Short Biographical Dictionary of English Literature.
an additional pension of 40 marks was given him.  In the same year he took a lease of a house at Westminster, where he probably d., October 25, 1400.  He is buried in Poets’ Corner, Westminster Abbey, where a monument to him was erected by Nicholas Brigham, a minor poet of the 16th century.  According to some authorities he left two sons, Thomas, who became a man of wealth and importance, and Lewis, who died young, the little ten-year-old boy to whom he addressed the treatise on the Astrolabe.  Others see no evidence that Thomas was any relation of the poet.  An Elizabeth C., placed in the Abbey of Barking by John of Gaunt, was probably his dau. In person C. was inclined to corpulence, “no poppet to embrace,” of fair complexion with “a beard the colour of ripe wheat,” an “elvish” expression, and an eye downcast and meditative.

Of the works ascribed to C. several are, for various reasons, of greater or less strength, considered doubtful.  These include The Romaunt of the Rose, Chaucer’s Dream, and The Flower and the Leaf.  After his return from Italy about 1380 he entered upon his period of greatest productiveness:  Troilus and Criseyde (1382?), The Parlement of Foules (1382?), The House of Fame (1384?), and The Legende of Goode Women (1385), belong to this time.  The first of them still remains one of the finest poems of its kind in the language.  But the glory of C. is, of course, the Canterbury Tales, a work which places him in the front rank of the narrative poets of the world.  It contains about 18,000 lines of verse, besides some passages in prose, and was left incomplete.  In it his power of story-telling, his humour, sometimes broad, sometimes sly, his vivid picture-drawing, his tenderness, and lightness of touch, reach their highest development.  He is our first artist in poetry, and with him begins modern English literature.  His character—­genial, sympathetic, and pleasure-loving, yet honest, diligent, and studious—­is reflected in his writings.

SUMMARY.—­B. 1340, fought in France 1359, by his marriage in 1366 became connected with John of Gaunt, employed on diplomatic missions 1369-79, Controller of Customs, etc., c. 1374, began Canterbury Tales 1373, elected to Parliament 1386, loses his appointments 1386, Clerk of King’s Works 1389-91, pensioned by Richard II. and Henry IV., d. c. 1400.

The best ed. of C. is The Complete Works of Geoffrey Chaucer (6 vols. 1894), ed. by Prof.  Skeat.  Others are Thos.  Wright’s for the Percy Society (1842), and Richard Morris’s in Bell’s Aldine Classics (1866).

CHERRY, ANDREW (1762-1812).—­Dramatist, s. of a bookseller at Limerick, was a successful actor, and managed theatres in the provinces.  He also wrote some plays, of which The Soldier’s Daughter is the best.  His chief claim to remembrance rests on his three songs, The Bay of Biscay, The Green Little Shamrock, and Tom Moody.

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A Short Biographical Dictionary of English Literature from Project Gutenberg. Public domain.