Of the works ascribed to C. several are, for various reasons, of greater or less strength, considered doubtful. These include The Romaunt of the Rose, Chaucer’s Dream, and The Flower and the Leaf. After his return from Italy about 1380 he entered upon his period of greatest productiveness: Troilus and Criseyde (1382?), The Parlement of Foules (1382?), The House of Fame (1384?), and The Legende of Goode Women (1385), belong to this time. The first of them still remains one of the finest poems of its kind in the language. But the glory of C. is, of course, the Canterbury Tales, a work which places him in the front rank of the narrative poets of the world. It contains about 18,000 lines of verse, besides some passages in prose, and was left incomplete. In it his power of story-telling, his humour, sometimes broad, sometimes sly, his vivid picture-drawing, his tenderness, and lightness of touch, reach their highest development. He is our first artist in poetry, and with him begins modern English literature. His character—genial, sympathetic, and pleasure-loving, yet honest, diligent, and studious—is reflected in his writings.
SUMMARY.—B. 1340, fought in France 1359, by his marriage in 1366 became connected with John of Gaunt, employed on diplomatic missions 1369-79, Controller of Customs, etc., c. 1374, began Canterbury Tales 1373, elected to Parliament 1386, loses his appointments 1386, Clerk of King’s Works 1389-91, pensioned by Richard II. and Henry IV., d. c. 1400.
The best ed. of C. is The Complete Works of Geoffrey Chaucer (6 vols. 1894), ed. by Prof. Skeat. Others are Thos. Wright’s for the Percy Society (1842), and Richard Morris’s in Bell’s Aldine Classics (1866).
CHERRY, ANDREW (1762-1812).—Dramatist, s. of a bookseller at Limerick, was a successful actor, and managed theatres in the provinces. He also wrote some plays, of which The Soldier’s Daughter is the best. His chief claim to remembrance rests on his three songs, The Bay of Biscay, The Green Little Shamrock, and Tom Moody.