The final position of B. in English literature is probably not yet settled. It is at present undoubtedly lower than it was in his own generation. Yet his energy, passion, and power of vivid and richly-coloured description, together with the interest attaching to his wayward and unhappy career, must always make him loom large in the assembly of English writers. He exercised a marked influence on Continental literature, and his reputation as poet is higher in some foreign countries than in his own.
Among ed. of the works of B. may be mentioned Murray’s (13 vols. 1898-1904). Moore’s Life (1830), Lady Blessington’s Conversations with Lord Byron (1834, new, 1894).
SUMMARY.—B. 1788, spent childhood in Aberdeen, ed. Harrow and Camb., pub. English Bards etc., 1809, Childe Harold first two cantos 1812, married 1815, separated 1816, owing to this and financial difficulties leaves England, meets Shelley, pub. third canto of Childe Harold 1816, fourth canto 1817, writes Don Juan cantos 1-4 1818-20, lives at various places in Italy 1816-24 with Countess Guiccioli, finished Don Juan 1822, goes to Greece 1823 to assist insurgents, d. 1824.
BYRON, HENRY JAMES (1834-1884).—Dramatist, b. at Manchester, entered the Middle Temple, but soon took to writing for the stage, and produced many popular burlesques and extravaganzas. He also wrote for periodicals, and was the first editor of Fun. Among his best dramatic pieces are Cyril’s Success (1868), Our Boys (1875), and The Upper Crust.