Latin verse, which has never been excelled by any
modern. He returned to England in 1552, but soon
re-crossed to France and taught in the Coll. of Boncourt.
In 1561 he came back to his native country, where
he remained for the rest of his life. Hitherto,
though a supporter of the new learning and a merciless
exposer of the vices of the clergy, he had remained
in the ancient faith, but he now openly joined the
ranks of the Reformers. He held the Principalship
of St. Leonard’s Coll., St. Andrews, was a supporter
of the party of the Regent Moray, produced in 1571
his famous
Detectio Mariae Reginae, a scathing
exposure of the Queen’s relations to Darnley
and the circumstances leading up to his death, was
tutor, 1570-78, to James VI., whom he brought up with
great strictness, and to whom he imparted the learning
of which the King was afterwards so vain. His
chief remaining works were
De Jure Regni apud Scotos
(1579), against absolutism, and his
History of
Scotland, which was
pub. immediately before
his death. Though he had borne so great a part
in the affairs of his country, and was the first scholar
of his age, he
d. so poor that he left no funds
to meet the expenses of his interment. His literary
masterpiece is his
History, which is remarkable
for the power and richness of its style. Its
matter, however, gave so much offence that a proclamation
was issued calling in all copies of it, as well as
of the
De Jure Regni, that they might be purged
of the “offensive and extraordinary matters”
which they contained. B. holds his great and
unique place in literature not so much for his own
writings as for his strong and lasting influence on
subsequent writers.
BUCHANAN, ROBERT (1841-1901).—Poet and
novelist, b. at Caverswall, Staffordshire,
the s. of a Scottish schoolmaster and socialist,
and ed. at Glasgow, was the friend of David
Gray (q.v.), and with him went to London in
search of fame, but had a long period of discouragement.
His first work, a collection of poems, Undertones
(1863), had, however, some success, and was followed
by Idylls of Inverburn (1865), London Poems
(1866), and others, which gave him a growing reputation,
and raised high hopes of his future. Thereafter
he took up prose fiction and the drama, not always
with success, and got into trouble owing to some drastic
criticism of his contemporaries, culminating in his
famous article on the Fleshly School of Poetry,
which appeared in the Contemporary Review (Oct.
1871), and evoked replies from Rossetti (The Stealthy
School of Criticism), and Swinburne (Under
the Microscope). Among his novels are A
Child of Nature (1879), God and the Man
(1881), and among his dramas A Nine Days’
Queen, A Madcap Prince, and Alone in
London. His latest poems, The Outcast
and The Wandering Jew, were directed against
certain aspects of Christianity. B. was unfortunate
in his latter years; a speculation turned out ruinously;
he had to sell his copyrights, and he sustained a
paralytic seizure, from the effects of which he d.
in a few months. He ultimately admitted that
his criticism of Rossetti was unjustifiable.