Monsieur Thomas (
p. 1639), and
Sea
Voyage (1622). (3) BEAUMONT and FLETCHER.—
Four
Plays in One (1608),
King and No King (1611),
Cupid’s Revenge (1611?),
Knight of
Burning Pestle (1611),
Maid’s Tragedy
(1611),
Philaster (1611),
Coxcomb (1612-13),
Wits at Several Weapons (1614),
Scornful
Lady (1616), doubtfully,
Thierry and Theodoret
(1616), and
Little French Lawyer (1620) perhaps
by F. and Massinger, and
Laws of Candy (?)
perhaps by B. and Massinger. (4) FLETCHER and OTHERS.—
Honest
Man’s Fortune (1613), F., Mass., and Field;
The Captain (1613), and
Nice Valour
(
p. 1647), F. and Middleton (?);
Bloody Brothers
(1616-17), F., Mid., and Rowley or Fielding and B.
Jonson (?);
Queen of Corinth (1618-19), F.
and Row. or Mass. and Mid.;
Barneveld (1619),
by F. and Massinger;
Knight of Malta (1619),
False One (1620),
A Very Woman (1621?),
Double Marriage (1620),
Elder Brother
(
p. 1637),
Lover’s Progress (
p.
1647),
Custom of the Country (1628),
Prophetess
(1622),
Spanish Curate (1622), by F. and Shakespeare;
Henry VIII. (1617), and
Two Noble Kinsmen
(
p. 1634), by F. and Rowley, or Massinger;
Maid of the Mill (1625-6),
Beggar’s
Bush (?) (1622), by F. and Shirley;
Noble Gentleman
(?)
Night Walker (1633?),
Lovers Pilgrimage
(1623?),
Fair Maid of the Inn (1625-26), also
with Middleton?
The latest ed. is that of Mr. Bullen (11 vols., 1904),
and A.R. Waller (7 vols., pub. C.U.P.,
1909); Dyce (11 vols., 1843-46); Francis Beaumont,
G.C. Macaulay (1883); Lyric Poems of B.
and F., E. Rhys (1897); Bibliography, A.C.
Potter in Harvard Bibliograph. Contributions,
1891.
BEAUMONT, SIR JOHN (1582-1627?).—Poet,
elder brother of Francis B., the dramatist (q.v.).
His poems, of which the best known is Bosworth
Field, pub. by his s., 1629.
Another, The Crown of Thorns, is lost.
BECKFORD, WILLIAM (c. 1760-1844).—Miscellaneous
writer, only s. of William B., Lord Mayor of
London, the associate and supporter of John Wilkes,
inherited at the age of 9 an enormous fortune.
In these circumstances he grew up wayward and extravagant,
showing, however, a strong bent towards literature.
His education was entrusted to a private tutor, with
whom he travelled extensively on the Continent.
At the age of 22 he produced his oriental romance,
Vathek (c. 1781), written originally
in French and, as he was accustomed to boast, at a
single sitting of three days and two nights.
There is reason, however, to believe that this was
a flight of imagination. It is an impressive work,
full of fantastic and magnificent conceptions, rising
occasionally to sublimity. His other principal