Six Women eBook

Annie Sophie Cory
This eBook from the Gutenberg Project consists of approximately 199 pages of information about Six Women.

Six Women eBook

Annie Sophie Cory
This eBook from the Gutenberg Project consists of approximately 199 pages of information about Six Women.

Slowly the strong yellow sunlight poured over the plain, the bank and the river, gilding every ripple; and, as the light grew, hundreds of delicate shapes—­the forms of the ibis and flamingo and crane, and other river-fowl—­became visible, crowding down the dark banks, with flapping of white and crimson wings, and stretching of legs, and opening of beaks, rustling down, shaking their feathers, to bathe and drink of the Blue River.

Wonderful light, and miraculous, gleaming, cloud-filled sky, and wonderful birds preening their plumage and calling to each other, and wonderful breeze-swept water, bluer than the bluest depths of the Indian Ocean.

It was still so early that, in the whole stretch of rollicking, tumbling, buoyant waters between bank and bank, only one piece of river-craft could be seen.  This pushed onward, cleaving through the little billows in the teeth of the morning breeze.  It was a tiny naphtha launch—­a horrid, fussy, smoking little thing, cutting through breeze and water, and diffusing a scent of oil and greased iron in the pure and radiant air.  A white bird on the bank looked at it, and rose with a startled note of alarm, and a flight of lovely-salmon-coloured colleagues followed.  The others merely looked up and paused, with their wings wide stretched, and then went on calmly with their toilets—­they had seen it before.

In the launch, of which the whole centre was taken by the naphtha-stove—­the engine by courtesy—­sat a young Englishman, whose face had that frank, attractive look of one whose thoughts are kindly, well disposed to all the world; and at stem and stern stood, erect and silent, the white-clothed figure of a boy from the Soudan.  Lithe, graceful forms supported long necks and straight-featured faces, black as if carved out of smooth ebony, and contrasting strangely with the white turbans of stiff linen twisted deftly into a high crest above the brows.  Swiftly the little boat ran on for a mile or two against wind, with its three silent and motionless occupants; then one boy turned, and pronounced solemnly the two words, “Mister, Omdurman!”

This was accompanied with a gracious wave of his hand towards the bank, as he leant forward to stop the engine, and his companion turned the boat to land.

Omdurman, as seen from the river level, looks like nothing but a long streak of duller yellow on the real gold of the African sand.  Its tiny, square, flat-roofed mud-houses are not, with few exceptions, higher than six feet, and there is nothing else save them and their dreary, yellow-brown, muddy monotony in the whole village:  not a palm, not a flower, not one blade of grass, simply a collection of low mud-houses, with trampled mud-paths between, and here and there an open, brown, dusty square.

The stillness and heat of the day were settling down now:  the first wild, cool youth of the morning was past, and the Englishman felt the heat of the desert rise from the ground and strike his face, like the blow of a flail, as he stepped on land.  He expected the Soudanese boys to follow, as they generally did on similar excursions—­one to secure the boat and sit and wait beside it, and the other to accompany himself, carry his tripod and camera, and act as guide and general escort.  To-day the boy stood in the boat, and addressed him earnestly: 

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Project Gutenberg
Six Women from Project Gutenberg. Public domain.