great mainspring, that he brought scientific processes
to bear in the history of the heart, the art of employing
figures, of decomposing, of deducing, that he was the
first to point out fundamental causes such as nationalities,
climates, and temperaments, in short, that he treated
sentiments as they should be treated, that is to say,
as a naturalist and physicist, by making classifications
and estimating forces. On account of all this
he was pronounced dry and eccentric and allowed to
live in isolation, composing novels, books of travel
and taking notes, for which he counted upon, and has
obtained, about a dozen or so of readers. And
yet his works are those in which we of the present
day may find the most satisfactory efforts that have
been made to clear the road I have just striven to
describe. Nobody has taught one better how to
observe with one’s own eyes, first, to regard
humanity around us and life as it is, and next, old
and authentic documents, how to read more than merely
the black and white of the page, how to detect under
old print and the scrawl of the text the veritable
sentiment and the train of thought, the mental state
in which the words were penned. In his writings,
as in those of Sainte Beuve and in those of the German
critics the reader will find how much is to be derived
from a literary document, if this document is rich
and we know how to interpret it, we will find in the
psychology of a particular soul, often that of an
age, and sometimes that of a race. In this respect,
a great poem, a good novel, the confessions of a superior
man, are more instructive than a mass of historians
and histories, I would give fifty volumes of charters
and a hundred diplomatic files for the memoirs of Cellini,
the epistles of Saint Paul, the table talk of Luther,
or the comedies of Aristophanes. Herein lies
the value of literary productions. They are instructive
because they are beautiful, their usefulness increases
with their perfection and if they provide us with documents,
it is because they are monuments. The more visible
a book renders sentiments the more literary it is,
for it is the special office of literature to take
note of sentiments. The more important the sentiments
noted in a book the higher its rank in literature,
for it is by representing what sort of a life a nation
or an epoch leads, that a writer rallies to himself
the sympathies of a nation or of an epoch. Hence,
among the documents which bring before our eyes the
sentiments of preceding generations, a literature,
and especially a great literature, is incomparably
the best. It resembles those admirable instruments
of remarkable sensitiveness which physicists make
use of to detect and measure the most profound and
delicate changes that occur in a human body.
There is nothing approaching this in constitutions
or religions; the articles of a code or of a catechism
do no more than depict mind in gross and without finesse;
if there are any documents which show life and spirit
in politics and in creeds, they are the eloquent discourses
of the pulpit and the tribune, memoirs and personal
confessions, all belonging to literature, so that,
outside of itself, literature embodies whatever is
good elsewhere. It is mainly in studying literatures
that we are able to produce moral history, and arrive
at some knowledge of the psychological laws on which
events depend.