Prefaces and Prologues to Famous Books eBook

This eBook from the Gutenberg Project consists of approximately 603 pages of information about Prefaces and Prologues to Famous Books.

Prefaces and Prologues to Famous Books eBook

This eBook from the Gutenberg Project consists of approximately 603 pages of information about Prefaces and Prologues to Famous Books.
And the names of the dead are always thrown at the heads of the living—­Corneille stoned with Tasso and Guarini (Guarini!), as, later, Racine will be stoned with Corneille, Voltaire with Racine, and as to-day, everyone who shows signs of rising is stoned with Corneille, Racine and Voltaire.  These tactics, as will be seen, are well-worn; but they must be effective as they are still in use.  However, the poor devil of a great man still breathed.  Here we cannot help but admire the way in which Scuderi, the bully of this tragic-comedy, forced to the wall, blackguards and maltreats him, how pitilessly he unmasks his classical artillery, how he shows the author of Le Cid “what the episodes should be, according to Aristotle, who tells us in the tenth and sixteenth chapters of his Poetics"; how he crushes Corneille, in the name of the same Aristotle “in the eleventh chapter of his Art of Poetry, wherein we find the condemnation of Le Cid”; in the name of Plato, “in the tenth book of his Republic”; in the name of Marcellinus, “as may be seen in the twenty-seventh book”; in the name of “the tragedies of Niobe and Jephthah”; in the name of the “Ajax of Sophocles”; in the name of “the example of Euripides”; in the name of “Heinsius, chapter six of the Constitution of Tragedy; and the younger Scaliger in his poems”; and finally, in the name of the Canonists and Jurisconsults, under the title “Nuptials.”  The first arguments were addressed to the Academy, the last one was aimed at the Cardinal.  After the pin-pricks the blow with a club.  A judge was needed to decide the question.  Chapelain gave judgment.  Corneille saw that he was doomed; the lion was muzzled, or, as was said at the time, the crow (Corneille) was plucked.  Now comes the painful side of this grotesque performance:  after he had been thus quenched at his first flash, this genius, thoroughly modern, fed upon the Middle Ages and Spain, being compelled to lie to himself and to hark back to ancient times, drew for us that Castilian Rome, which is sublime beyond question, but in which, except perhaps in Nicomede, which was so ridiculed by the eighteenth century for its dignified and simple colouring, we find neither the real Rome nor the true Corneille.

Racine was treated to the same persecution, but did not make the same resistance.  Neither in his genius nor in his character was there any of Corneille’s lofty asperity.  He submitted in silence and sacrificed to the scorn of his time his enchanting elegy of Esther, his magnificent epic, Athalie.  So that we can but believe that, if he had not been paralyzed as he was by the prejudices of his epoch, if he had come in contact less frequently with the classic cramp-fish, he would not have failed to introduce Locuste in his drama between Narcisse and Neron, and above all things would not have relegated to the wings the admirable scene of the banquet at which Seneca’s pupil

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Prefaces and Prologues to Famous Books from Project Gutenberg. Public domain.