By what disposition of the mind, what influence of the stars, or what situation of the climate this endowment is bestowed upon mankind, may be a question fit for philosophers to discuss. It is certainly the best ingredient toward that kind of satire, which is most useful, and gives the least offence; which instead of lashing, laughs men out of their follies, and vices, and is the character which gives Horace the preference to Juvenal.
And although some things are too serious, solemn or sacred to be turned into ridicule, yet the abuses of them are certainly not, since it is allowed that corruption in religion, politics, and law, may be proper topics for this kind of satire.
There are two ends that men propose in writing satire, one of them less noble than the other, as regarding nothing further than personal satisfaction, and pleasure of the writer; but without any view towards personal malice; the other is a public spirit, prompting men of genius and virtue, to mend the world as far as they are able. And as both these ends are innocent, so the latter is highly commendable. With regard to the former, I demand whether I have not as good a title to laugh, as men have to be ridiculous, and to expose vice, as another hath to be vicious. If I ridicule the follies and corruptions of a court, a ministry, or a senate; are they not amply paid by pensions, titles, and power, while I expect and desire no other reward, than that of laughing with a few friends in a corner. Yet, if those who take offence, think me in the wrong, I am ready to change the scene with them, whenever they please.
But if my design be to make mankind better, then I think it is my duty, at least I am sure it is the interest of those very courts and ministers, whose follies or vices I ridicule, to reward me for my good intentions; for, if it be reckoned a high point of wisdom to get the laughers on our side, it is much more easy, as well as wise to get those on our side, who can make millions laugh when they please.
My reason for mentioning courts, and ministers, (whom I never think on, but with the most profound veneration) is because an opinion obtains that in the “Beggar’s Opera” there appears to be some reflection upon courtiers and statesmen, whereof I am by no means a judge[7].
It is true indeed that Mr. Gay, the author of this piece, hath been somewhat singular in the course of his fortunes, for it hath happened, that after fourteen years attending the court, with a large stock of real merit, a modest, and agreeable conversation, a hundred promises, and five hundred friends [he] hath failed of preferment, and upon a very weighty reason. He lay under the suspicion of having written a libel, or lampoon against a great m[inister][8]. It is true that great m[inister] was demonstratively convinced, and publicly owned his conviction, that Mr. Gay was not the author; but having lain under the suspicion, it seemed very just, that he should suffer the punishment; because in this most reformed age, the virtues of a great m[inister] are no more to be suspected, than the chastity of Caesar’s wife.