They got into their cottage about tea time; and the first thing Priscilla did was to exclaim at the pleasant sight of the wood fire and sit down in the easy-chair to warm herself. We know who was sitting in it already; and thus she was received by Bad Luck at once into her very lap, and clutched about securely by that unpleasant lady’s cold and skinny arms. She looked up at Fritzing with a shiver to remark wonderingly that the room, in spite of its big fire and its smallness, was like ice, but her lips fell apart in a frozen stare and she gazed blankly past him at the wall behind his head. “Look,” she whispered, pointing with a horrified forefinger. And Fritzing, turning quickly, was just in time to snatch a row of cheap coloured portraits from the wall and fling them face downwards under the table before Tussie came in to ask if he could do anything.
The portraits were those of all the reigning princes of Germany and had been put up as a delicate compliment by the representative of the Minehead furnishers, while Priscilla and Fritzing were taking leave of Baker’s Farm; and the print Priscilla’s eye had lighted on was the portrait of her august parent, smiling at her. He was splendid in state robes and orders, and there was a charger, and an obviously expensive looped-up curtain, and much smoke as of nations furiously raging together in the background, and outside this magnificence meandered the unmeaning rosebuds of Priscilla’s cheap wallpaper. His smile seemed very terrible under the circumstances. Fritzing felt this, and seized him and flung him with a desperate energy under the table, where he went on smiling, as Priscilla remembered with a guilty shudder, at nothing but oilcloth. “I don’t believe I’ll sleep if I know he—he’s got nothing he’d like better than oilcloth to look at,” she whispered with an awestruck face to Fritzing as Tussie came in.