It was just 6.30 in the morning, when there was a loud tap at my door, and the servant rushed in, in the wildest state of excitement, handing me a note from General Le Gendre. The note read somewhat as follows: “Dear Mr. Landor, Prince Min has arrived at my house to sit for his picture. Please come at once.”
That is punctuality, is it not? To make an appointment, and go to the place to keep it four-and-a-half hours before the time appointed!
In less than no time I was on the spot. Le Gendre’s house was, as it were, in a state of siege, for hundreds of armed soldiers were drawn up, in the little lane leading to it, while the court of his compound was crammed with followers and officers, in their smartest clothes. The warriors, who had already made themselves comfortable, and were squatting on their heels, playing cards and other games, got up most respectfully as I passed, and, by command of one of the officers, rendered me a military salute, which I must confess made me feel very important. I had never suspected that such an armed force was necessary to protect a man who was going to have his portrait painted, but of course, I am well aware that artists are always most unreliable people. When the real reason of this display was explained, I did indeed feel much flattered.
The Prince had, in fact, come to me in his grandest style, and with his full escort, just as if his object had been to call on some royal personage, such as the King himself. The compliment was, I need hardly say, much appreciated by me. I was actually lifted up the steps of the house by his servants, for it was supposed that the legs of such a grand personage must indeed be incapable of bearing his body, and thus I was brought into his presence. As usual, he was most affable, and full of wit and fun. So great had been his anxiety to be down on canvas, that he had been quite unable to sleep. He could only wish for the daylight to come, which was to immortalise him, and that was why he had come “a little” before his time.