“Where is my child?” cried she in a voice of anger and despair.
“Here he is,” answered one of the crowd. “The foreigner is painting a picture of him.”
There was a piercing yell, and the pale woman looked such daggers at me that I nearly dropped the sketch, brushes and palette out of my hands. Oh, it was such a look! Brrr! how I shivered. Then, with another yell, tenfold more piercing than the first, she made a dash into the crowd, and tried to snatch the child away. I have heard people say that I am sensitive, and I believe that I really was on that occasion, for I involuntarily shuddered as I saw at a glance what was coming. The crowd had got so interested in the picture that they would not hear of letting the child go; so the mother, scorned and pushed back, was unsuccessful in her daring attempt. Boldly, however, making a fresh attack, she dashed into the midst of them and managed to grasp the child by the head and one arm; which led to the most unfortunate part of the business, for the angry mother pulled with all her might in her efforts to drag her sweet one away, while the people on the other hand pulled him as hard as they could by the other arm and the legs, so that the poor screaming mite was nearly torn to pieces, and no remonstrances of mine had the least effect on this human yet very inhuman tug-of-war.
Fortunately for the child, whose limbs had undergone a good stretching, the mother let go; but it was certainly not fortunate for the others, for, following the little ways that women have, even in Corea, she proceeded to scratch the faces of all within her reach, and I myself came within an inch of having my eyes scratched out of my head by this infuriated parent, when to my great relief she was dragged away. As she re-entered the door of her domicile, she shook her fist and thrust her tongue out at me, a worthy finish to this tragic-comic scene.