NOTES BY FLOOD AND FIELD

PART I—­IN THE FIELD

It was near the close of an October day that I began to be disagreeably conscious of the Sacramento Valley.  I had been riding since sunrise, and my course through the depressing monotony of the long level landscape affected me more like a dull dyspeptic dream than a business journey, performed under that sincerest of natural phenomena—­a California sky.  The recurring stretches of brown and baked fields, the gaping fissures in the dusty trail, the hard outline of the distant hills, and the herds of slowly moving cattle, seemed like features of some glittering stereoscopic picture that never changed.  Active exercise might have removed this feeling, but my horse by some subtle instinct had long since given up all ambitious effort, and had lapsed into a dogged trot.

It was autumn, but not the season suggested to the Atlantic reader under that title.  The sharply defined boundaries of the wet and dry seasons were prefigured in the clear outlines of the distant hills.  In the dry atmosphere the decay of vegetation was too rapid for the slow hectic which overtakes an Eastern landscape, or else Nature was too practical for such thin disguises.  She merely turned the Hippocratic face to the spectator, with the old diagnosis of Death in her sharp, contracted features.

In the contemplation of such a prospect there was little to excite any but a morbid fancy.  There were no clouds in the flinty blue heavens, and the setting of the sun was accompanied with as little ostentation as was consistent with the dryly practical atmosphere.  Darkness soon followed, with a rising wind, which increased as the shadows deepened on the plain.  The fringe of alder by the watercourse began to loom up as I urged my horse forward.  A half-hour’s active spurring brought me to a corral, and a little beyond a house, so low and broad it seemed at first sight to be half-buried in the earth.

My second impression was that it had grown out of the soil, like some monstrous vegetable, its dreary proportions were so in keeping with the vast prospect.  There were no recesses along its roughly boarded walls for vagrant and unprofitable shadows to lurk in the daily sunshine.  No projection for the wind by night to grow musical over, to wail, whistle, or whisper to; only a long wooden shelf containing a chilly-looking tin basin and a bar of soap.  Its uncurtained windows were red with the sinking sun, as though bloodshot and inflamed from a too-long unlidded existence.  The tracks of cattle led to its front door, firmly closed against the rattling wind.