At all events it is going to be hot here.
The Village of the Mud Idols
The City Wall
About the city where I dwell, guarding it close, runs
an embattled wall.
It was not new I think when Arthur was a king, and
plumed knights before a British
wall made brave
clangor of trumpets, that
Launcelot came forth.
It was not new I think, and now not it but chivalry
is
old.
Without, the wall is brick, with slots for firing,
and it
drops straightway into the
evil moat, where offal
floats and nameless things
are thrown.
Within, the wall is earth; it slants more gently down,
covered with grass and stubbly
with cut weeds.
Below it in straw lairs the
beggars herd, patiently
whining, stretching out their
sores.
And on the top a path runs.
As I walk, lifted above the squalor and the dirt,
the
timeless miracle of sunset
mantles in the west,
The blue dusk gathers close
And beauty moves immortal through the land.
And I walk quickly, praying in my heart that beauty
will defend me, will heal
up the too great wounds
of China.
I will not look—to-night I will not look—where
at
my feet the little coffins
are,
The boxes where the beggar children lie, unburied
and unwatched.
I will not look again, for once I saw how one was
broken, torn by the sharp
teeth of dogs. A little
tattered dress was there,
and some crunched
bones....
I need not look. What can it help to look?
Ah, I am past!
And still the sunset glows.
The tall pagoda, like a velvet flower, blossoms against
the sky; the Sacred Mountain
fades, and in the
town a child laughs suddenly.
I will hold fast to beauty! Who am I, that I
should
die for these?
I will go down. I am too sorely hurt, here on
the
city wall.
Wusih
Woman
Strangely the sight of you moves me.
I have no standard by which to appraise you; the outer
shell of you is all I know.
Yet irresistibly you draw me.
Your small plump body is closely clad in blue brocaded
satin. The fit is scrupulous,
yet no woman’s figure
is revealed. You are
decorously shapeless.
Your satin trousers even are lined with fur.
Your hair is stiff and lustrous as polished ebony,
bound
at the neck in an adamantine
knot, in which dull
pearls are encrusted.